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was popularized by Radio and TV fiddler Don Messer (printed under the title “Sainte Agathe” in his 1948 Way Down East collection^[1]), and his version has been assimilated into several North American and British Isles traditions and remains a staple of fiddlers’ jam sessions. When asked to play a Canadian tune, for example, American fiddlers generally will play “St. Anne’s” first.

It was in the repertoire of Cyril Stinnett, who epitomized the "North Missouri Hornpipe Style" of Mid-West fiddling, and the reel has become a part of the repertory of most Missouri fiddlers. Missouri 'received wisdom' is that Canadian tunes were learned from listening to Canadian radio broadcasts in the hey-day of the big AM band stations, which could be heard clearly in the northern part of the state, but whether "St. Anne's" was actually learned from broadcasts in unknown. Alternatively, "St. Anne's" may have been brought back by contest fiddlers in the 1960’s who attended the renowned contests in Weiser, Idaho, and in Canada.

Rounder Record's Mark Wilson says its popularity in the United States dates from the 1950’s after it was recorded by Nashville fiddlers such as Tommy Jackson (whose influential playing was revered by fiddlers throughout the country). Perlman (1996) similarly states the tune entered Prince Edward Island tradition from radio broadcasts from Québec, but that it has become more elaborate (especially in western PEI) over the years to suit the rhythms of the local step-dancing.

The earliest notational transcription of “St. Anne’s” appears to be in the Jarman collections of the 1930’s and 1940’s, where the arrangement is credited to fiddler John Burt with a copyright date of 1937.

...more at: St. Anne's Reel - full Score(s) and Annotations

X:1 T:St. Anne's Reel M:C| L:1/8 N:From an August 1, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a varied repertory that N:consisted of "Down East", Acadian, Irish, American and French-Canadian tunes. D: https://bmac.libs.uga.edu/index.php/Detail/objects/331630 F:UGA Brown Media Archives: identifier artrosen_00180 (Track 16 -12:04 of the tape) Z:Transcribed by Andrew Kuntz K:D V:1 clef=treble name="0." [V:1] Ad|fdf-g {fg}f-edz|AFAA AFAd|BGBB BG(Bd/B/)|AAAF DFAd| Jf3f {g}fedB|AFAA AFAd|BGBB cABc|dfec (d/c/d)Ad| ff2f {g}fedB|AFAA AFAd|BGBB BG(Bd/B/)|AAAF DFAd| Jf3f {g}fedB|AAAF DFAd|BGBB cABc|dfef (d/c/d)|| ag|fdff fdfa|gggf (g/f/g)gf|eceg eceg|baa^g (a/g/a)-aa| fdfa fdfa|gggf (g/f/g)gg|eccB Aceg|(f/g/f)ec d2Ag| fdfa fdfa|gggf (g/f/g)gg|eceg eceg|baa^g a3a| fdfa fdfa|gggf (g/f/g){f}gf|ecec Acee|fdec .d2||

↑ Note that the reel was printed as "Sainte Agathe" in Messer's printed collections of music, but on Don Messer and His Islander's 78 RPM recording of the tune (Apex 26291) in 1950 the tune appeared on the label as "St. Anne's Reel."

[1] Note that the reel was printed as "Sainte Agathe" in Messer's printed collections of music, but on Don Messer and His Islander's 78 RPM recording of the tune (Apex 26291) in 1950 the tune appeared on the label as "St. Anne's Reel."

[1]

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 was popularized by Radio and TV fiddler [[wikipedia:Don_Messer|Don Messer]] (printed under the title “Sainte Agathe” in his 1948 '''Way Down East''' collection<ref>Note that the reel was printed as "Sainte Agathe" in Messer's printed collections of music, but on Don Messer and His Islander's 78 RPM recording of the tune (Apex 26291) in 1950 the tune appeared on the label as "[[St. Anne's Reel]]."</ref>), and his version has been assimilated into several North American and British Isles traditions and remains a staple of fiddlers’ jam sessions. When asked to play a Canadian tune, for example, American fiddlers generally will play “St. Anne’s” first.