Coal Creek March: Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replace - "<b>USA</b>/Upland South" to "USA(Upland South)")
Line 3: Line 3:
|f_country=United States
|f_country=United States
|f_genre=Old-Time
|f_genre=Old-Time
|f_history=<b>USA</b>/Upland South
|f_history=USA(Upland South)
|f_player=Marion Underwood
|f_player=Marion Underwood
|f_album=Coal Creek March
|f_album=Coal Creek March

Revision as of 13:32, 9 April 2012


Coal Creek March  Click on the tune title to see or modify Coal Creek March's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Coal Creek March
Query the Archive
Query the Archive
 Theme code Index    
 Also known as    
 Composer/Core Source    
 Region    United States
 Genre/Style    Old-Time
 Meter/Rhythm    
 Key/Tonic of    
 Accidental    
 Mode    
 Time signature    
 History    USA(Upland South)
 Structure    
 Editor/Compiler    
 Book/Manuscript title    
 Tune and/or Page number    
 Year of publication/Date of MS    
 Artist    Biography:Marion Underwood
 Title of recording    Coal Creek March
 Record label/Catalogue nr.    Gennett 6240 (78 RPM)
 Year recorded    1927
 Media    
 Score   ()   


COAL CREEK MARCH. Old-Time, Breakdown. USA; Russell County, southwest Va., N.C., northeast Tenn., central Ky., north Georgia. The title commemorates the 1890 coal mining war in Anderson County, Tennessee. It was in the repertoire of Fiddlin' Cowan Powers (1877-1952?) family band of Russell County, Va.; his son Charlie Powers, who played banjo in the ensemble, taught the tune to Dock Boggs (C. Wolfe). The melody became reknowned as a banjo tune in northeast Tennessee and Kentucky, and was a Dick Burnett (Monticello, Ky.) showpiece, whose performance featured rapping on the banjo head to represent the drumming of militia. Marion Underwood's (Madison and Garrard Counties, Ky.) 1927 recording of the piece for Gennett remains one of the finest examples of mountain-style banjo picking, in the opinion of musicologist Charles Wolfe (1982) and others, and was an influential rendition, as was a version by Pete Steele {Underwood was also the banjoist for Taylor's Kentucky Boys, who recorded for Gennett and featured Jim Booker on fiddle--the only black hoedown fiddler known to have recorded commercially}. It was learned by Georgia musician George Childers from his cousin Uncle John Childers, the former saying of the tune that it was so common in his region that "everybody has a different version of 'Coal Creek March.'" "Coleman's March (1)" is a related tune.

Recorded sources: Copper Creek CCCD-0196, Tom, Brad & Alice - "We'll Die in the Pig Pen Fighting." County 788, Clyde Davenport (Monticello, Ky.) - "Clydeoscope: Rare and Beautiful Tunes from the Cumberland Plateau" (1986). Folkways FTS 31062, "Ship in the Clouds: Old Time Instrumental Music" (1978. Learned from Marion Underwood's recording). Gennett 6240 (78 RPM), Marion Underwood (Ky.), 1927. Voyager VRCD-354, Hart & Blech - "Build Me a Boat."


REPLACE THIS LINE WITH THE ABC CODE OF THIS TUNE