Annotation:Coming Home from the Bog: Difference between revisions

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'''COMING HOME FROM THE BOG''' ([[Ag Teacht Abhaile on bPortach]]). AKA and see "[[Talk:Donegal Boys]]," "[[Talk:Gardener's Daughter  (The)]]," “[[Talk:Groves of Mt. Talbot (The)]],” "[[Talk:I Wish I Never Saw You]]," "[[Talk:Magic Slipper]]," "[[Talk:Maud(e) Millar (2)]],” “[[Talk:Montua (The)]],” “[[Talk:Morrison’s (Reel) (2)]],” “[[Talk:Mrs. Smullen’s]],” “[[Talk:My Love is Fair and Handsome]],” "[[Talk:Paddy McFadden's (1)]].Irish, Reel. G Major. Standard tuning. AB. The tune has some similarities to "McFadden's Handsome Daughter," Breathnach (1985) says, but the turns are not the same. He records that “My Love is Fair and Handsome” is a Kerry title for the tune and the “The Gardener’s Daughter” is a name for it in Sligo.
'''COMING HOME FROM THE BOG''' ([[Ag Teacht Abhaile on bPortach]]). AKA and see [[My Love is Fair and Handsome (2)]].Irish, Reel. G Major. Standard tuning (fiddle). AB. The tune has some similarities to "[[McFadden's Handsome Daughter]]," Breathnach (1985) says, but the turns are not the same. He records that “[[My Love is Fair and Handsome (2)]]” is a Kerry title for the tune and the “[[Gardener’s Daughter (The)]]” is a name for it in County Sligo.
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''Printed sources'': Breathnach ('''CRÉ II'''), 1976; No. 141, pg. 76.
''Printed sources'': Breathnach ('''CRÉ II'''), 1976; No. 141, p. 76.
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Revision as of 04:32, 15 March 2014

Back to Coming Home from the Bog


COMING HOME FROM THE BOG (Ag Teacht Abhaile on bPortach). AKA and see My Love is Fair and Handsome (2).” Irish, Reel. G Major. Standard tuning (fiddle). AB. The tune has some similarities to "McFadden's Handsome Daughter," Breathnach (1985) says, but the turns are not the same. He records that “My Love is Fair and Handsome (2)” is a Kerry title for the tune and the “Gardener’s Daughter (The)” is a name for it in County Sligo.

Source for notated version: fiddler Paddy Ryan (Co. Roscommon and Birmingham) [Breathnach].

Printed sources: Breathnach (CRÉ II), 1976; No. 141, p. 76.

Recorded sources:




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