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''And a cart load of hay.''<br>
''And a cart load of hay.''<br>
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Kidson may or may not have been referring to "Down the Wagon Way" in Northumbrian musician John Bell's (1783-1864) music manuscript collection of c. 1812 [http://www.asaplive.com/archive/detail.asp?id=R1001401]. However, Kidson and Bell's two strains are reversed from each other. Bell also prints a lyric with the tune that begins:
<blockquote>
''An saw ye no my bonny lad,''<br>
''Cum up the wagon way;''<br>
''An saw ye no ma bonny lad,''<br>
''Cum up the wagon way.''<br>
<br>
''An his pockets full o' money,''<br>
''An his pokes full o' hay;''<br>
''An saw ye no ma bonny lad,''<br>
''Cum up the way.''<br>
<br>
''There is mony a bonny lad,''<br>
''Along the wagon way;''<br>
''O tell me whe's your canny lad--''<br>
''Along the wagon way.''<br>
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Revision as of 04:50, 31 January 2015

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DOWN THE WAGON WAY [2]. English, Country Dance Tune (4/4 time). England, Northumberland. D Minor/F Major. Standard tuning (fiddle). AABB. Frank Kidson (1890) identifies this as a Northumbrian pipe tune which he had from a MS collection dated about 1816 "by some person residing at Darlington or in the north." There evidently was once a song called "Down the Wagon Way," which perhaps survives in the nursery couplet:

Clap your hands for daddy,
Coming down the wagon way;
A pocket full of money,
And a cart load of hay.

Kidson may or may not have been referring to "Down the Wagon Way" in Northumbrian musician John Bell's (1783-1864) music manuscript collection of c. 1812 [1]. However, Kidson and Bell's two strains are reversed from each other. Bell also prints a lyric with the tune that begins:

An saw ye no my bonny lad,
Cum up the wagon way;
An saw ye no ma bonny lad,
Cum up the wagon way.

An his pockets full o' money,
An his pokes full o' hay;
An saw ye no ma bonny lad,
Cum up the way.

There is mony a bonny lad,
Along the wagon way;
O tell me whe's your canny lad--
Along the wagon way.

Source for notated version:

Printed sources: Kidson (Old English Country Dances), 1890; p. 21.

Recorded sources:




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