Annotation:Four O'Clock in the Morning (2): Difference between revisions
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'''FOUR O'CLOCK IN THE MORNING'''. AKA and see "[[Irish Quadrille]]." American, Quadrille or Schottishe (?). USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard is curiously silent about this tune, which sounds like a 19th century composition, perhaps (as the alternate title specifies) a part of a quadrille set. | '''FOUR O'CLOCK IN THE MORNING'''. AKA and see "[[Irish Quadrille]]." American, Quadrille or Schottishe (?). USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard is curiously silent about this tune, which sounds like a 19th century composition, perhaps (as the alternate title specifies) a part of a quadrille set. | ||
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''Source for notated version'': James Taylor (fifer and fiddler from Wetzel County, W.Va. and Greene County, Pa., 1930's) and John Taylor (fiddler from Greene County, Pa., 1930's) [Bayard]. Bayard does not say if the Taylors were related. | ''Source for notated version'': James Taylor (fifer and fiddler from Wetzel County, W.Va. and Greene County, Pa., 1930's) and John Taylor (fiddler from Greene County, Pa., 1930's) [Bayard]. Bayard does not say if the Taylors were related. | ||
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''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 188A-B, p. 144. | ''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 188A-B, p. 144. | ||
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Revision as of 12:49, 6 May 2019
Back to Four O'Clock in the Morning (2)
FOUR O'CLOCK IN THE MORNING. AKA and see "Irish Quadrille." American, Quadrille or Schottishe (?). USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard is curiously silent about this tune, which sounds like a 19th century composition, perhaps (as the alternate title specifies) a part of a quadrille set.
Source for notated version: James Taylor (fifer and fiddler from Wetzel County, W.Va. and Greene County, Pa., 1930's) and John Taylor (fiddler from Greene County, Pa., 1930's) [Bayard]. Bayard does not say if the Taylors were related.
Printed sources: Bayard (Dance to the Fiddle), 1981; No. 188A-B, p. 144.
Recorded sources:
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