Annotation:Keep It Up (1): Difference between revisions

Revision as of 00:39, 8 April 2012

KEEP IT UP [1] (As a thoiseach). AKA and see "As a Thòiseach." Scottish, Pipe Reel. E Dorian. Standard tuning (fiddle). AB (Fraser): AAB (Hardie). The tune is subtitled "Be Off Mackintosh!," and is credited to Captain Simon Fraser by MacDonald in the Skye Collection (1887). See note under "Talk:As a Thòiseach." The piece is played un-slurred, with a distinct bow stroke for each note. It has some popularity among Cape Breton musicians.

Source for notated version:

Printed sources: Fraser (The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles), 1816/1874; No. 140, p. 56-57. Hardie (Caledonian Companion), 1992; p. 103. Henderson (Flowers of Scottish Melody), 1935.

Recorded sources: Green Linnet SIF-1094, Capercaille - "Sidewaulk" (1989). Rounder 7004, Joe Cormier - "The Dances Down Home" (1977). Rounder 7059, Alex Francis MacKay with Gordon MacLean - "Gaelic in the Bow" (2005). Wildcat Records WILDCD 101, Ronan Martin - "Ronan Martin" (2008).

See also listings at:
Alan Snyder's Cape Breton Fiddle Recording Index [1]
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2]

Back to Keep It Up (1)

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-'''KEEP IT UP [1]''' (As a thoiseach). AKA and see "[[As a Thoiseach]]." Scottish, Pipe Reel. E Dorian. Standard tuning (fiddle). AB (Fraser): AAB (Hardie). The tune is subtitled "[[Be Off Mackintosh!]]," and is credited to Captain Simon Fraser by MacDonald in the '''Skye Collection''' (1887). See note under "[[Talk:As a Thoiseach]]." The piece is played un-slurred, with a distinct bow stroke for each note. It has some popularity among Cape Breton musicians.
+'''KEEP IT UP [1]''' (As a thoiseach). AKA and see "[[As a Thòiseach]]." Scottish, Pipe Reel. E Dorian. Standard tuning (fiddle). AB (Fraser): AAB (Hardie). The tune is subtitled "[[Be Off Mackintosh!]]," and is credited to Captain Simon Fraser by MacDonald in the '''Skye Collection''' (1887). See note under "[[Talk:As a Thòiseach]]." The piece is played un-slurred, with a distinct bow stroke for each note. It has some popularity among Cape Breton musicians.
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