Annotation:Moudiewart (The): Difference between revisions
(Created page with "=='''Back to [[{{BASEPAGENAME}}]]'''== ---- <p><font face="garamond, serif" size="4"> '''MOUDIEWART, THE''' (The Mole). AKA - "The Mowdewort," "The Mowdiewart." AKA and see "[...") |
No edit summary |
||
| Line 11: | Line 11: | ||
<blockquote> | <blockquote> | ||
''Laing had an incomprehensible reverence for Dugald Stewart. Stewart used to tell,'' | ''Laing had an incomprehensible reverence for Dugald Stewart. Stewart used to tell,'' | ||
''how he was walking in the Meadows ( | ''how he was walking in the Meadows (Edinburgh) very early one morning, when '' | ||
''he saw a number of people within the enclosure seemingly turning up the turf, and '' | ''he saw a number of people within the enclosure seemingly turning up the turf, and '' | ||
''that upon going up to them he found his fried Jamie Laing, who explained that in '' | ''that upon going up to them he found his fried Jamie Laing, who explained that in '' | ||
Revision as of 04:57, 4 February 2014
Back to Moudiewart (The)
MOUDIEWART, THE (The Mole). AKA - "The Mowdewort," "The Mowdiewart." AKA and see "Ane an' Twenty Tam," "Porto Bello." Scottish, Jig. F Major. Standard tuning (fiddle). AB. Scots poet Robert Burns remarked to Thomson that he had one of "our ancienter Scots Fiddlers' play him 'The Moudiewart'" in strathspey time; Emmerson (1971) takes from this remark that it was the habit of untutored folk fiddlers to render tunes in strathspey style at their pleasure. "The Moudiewart" means 'the mole', and is an old Jacobite air on the death of William of Orange, who expired after a fall from his horse after it had stumbled over a mole-hill. The air was published as "Scotch Jig" by Oswald in his Caledonian Pocket Companion, iv, 1752. It had appeared earlier under the title "Porto Bello," printed by Walsh in his Caledonian Country Dances (book 3), c. 1740. English printings of the tune include John Johnson's Choice Collection of 200 Favourite Country Dances, vol. 3 (London, 1744), and Longman and Broderip's Compleat Collection of 200 Favourite Country Dances (London, 1781); both under the title "The Mowdewort".
Poet Robert Burns penned a song, "O, for Ane-and-Twenty, Tam," to tune which relates the promise of a lass when she finally comes of age.
Lord Henry Cockburn (1779-1854), writing in his posthumously published book Memorials of His Time (1856), gives the anecdote:
Laing had an incomprehensible reverence for Dugald Stewart. Stewart used to tell, how he was walking in the Meadows (Edinburgh) very early one morning, when he saw a number of people within the enclosure seemingly turning up the turf, and that upon going up to them he found his fried Jamie Laing, who explained that in these short light nights there was noting going on with the blackguards, "and so, ye see, Mr. Professor, I've just brought oot the constables to try oor hands at the moudieworts. ..... [p. 90]
Source for notated version:
Printed sources: Howe (1000 Jigs and Reels), c. 1867; p. 127.
Recorded sources: