Money Musk (1): Difference between revisions
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|f_aka=All the Lads in Copper Alley, Killiecrankie (5), Moniemusk, Monymusk, Sir Archibald Grant of Monemusk's reel | |f_aka=All the Lads in Copper Alley, Killiecrankie (5), Moniemusk, Monymusk, Sir Archibald Grant of Monemusk's reel | ||
|f_composer=Daniel Dow, | |f_composer=Daniel Dow, | ||
|f_country=England | |f_country=Canada, England, Ireland, Scotland, United States | ||
|f_genre=Cape Breton/PEI, Contest, Contra, Down-East/Maritime, English, Irish, Northumbrian/Borders, Old-Time | |f_genre=Cape Breton/PEI, Contest, Contra, Down-East/Maritime, English, Irish, Northumbrian/Borders, Old-Time, Scottish, Texas/Oklahoma | ||
|f_rhythm=Fling, Reel (single/double), Strathspey | |f_rhythm=Fling, Reel (single/double), Strathspey | ||
|f_time_signature=4/4 | |f_time_signature=2/2, 4/4 | ||
|f_key=G | |f_key=G | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
| Line 31: | Line 31: | ||
M:4/4 | M:4/4 | ||
K:G | K:G | ||
e|d<GB>G d>Gc>e|d<GB>G A/B/A c>e| | e|d<GB>G d>Gc>e|d<GB>G A/B/A c>e|d<GB>G B/c/d d>g| | ||
d<GB>G B/c/d d>g|e>c A>d B<G G:| | e>c A>d B<G G:|f|g2d>g B>gd>f|g>d c>g B>g A>f| | ||
f|g2d>g B>gd>f|g>d c>g B>g A>f| | g>de>g d>gB>g|e>c A>d B<GG>f||f|g>dd>g B>gd>f| | ||
g>de>g d>gB>g|e>c A>d B<GG>f| | g>d c>g B>g A>f|g>d e>g d>g c<g|B<g A>c B<G G|| | ||
f|g>dd>g B>gd>f|g>d c>g B>g A>f| | |:g|G/G/G B>G B/dG/ c<e|G/G/G B<g A/A/A c<e|G/G/G B<G B/c/d d<g| | ||
g>d e>g d>g c<g|B<g A>c B<G G| | {de} =f>c A/B/c B<G G:|z/d/|g>d B<g d<gB>d|g>d c<g B<g A>d| | ||
|:g|G/G/G B>G B/dG/ c<e|G/G/G B<g A/A/A c<e| | g>d B<g d<gB<g|e/f/g A/B/c B<G G>d|g>d B<g d<gB>d| | ||
G/G/G B<G B/c/d d<g|{de} =f>c A/B/c B<G G:| | g/f/e d<g B<g A>d|g>d e<g d<g c<g|B<g A<g B<G G|] | ||
z/d/|g>d B<g d<gB>d|g>d c<g B<g A>d| | |||
g>d B<g d<gB<g|e/f/g A/B/c B<G G>d| | |||
g>d B<g d<gB>d|g/f/e d<g B<g A>d| | |||
g>d e<g d<g c<g|B<g A<g B<G G|] | |||
</pre> | </pre> | ||
<pre> | <pre> | ||
| Line 60: | Line 56: | ||
<pre> | <pre> | ||
X:7 | X:7 | ||
% | |||
T:Monie Musk [1] | T:Monie Musk [1] | ||
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c., p. 11 | S:Petrie's Second Collection of Strathspey Reels and Country Dances &c., p. 11 | ||
| Line 67: | Line 64: | ||
R:Strathspey | R:Strathspey | ||
K:A | K:A | ||
f|e<Ac>A e>Ad<f|e<Ac>A (B/c/B) d>f|e<Ac>A c<(ee>a)|fdBe cAA :| | f|e<Ac>A e>Ad<f|e<Ac>A (B/c/B) d>f|e<Ac>A c<(ee>a)| | ||
g|a<ee>a c<ae>g|a<ec>a c>aG>g |a<e f>a e>ac<a |f>dB<e c<(AAg)| | fdBe cAA :|g|a<ee>a c<ae>g|a<ec>a c>aG>g | | ||
a<ee>a c<ae<g|a<ec>a c>aB>g |a<ef<a eada |caBa cAA |] | a<e f>a e>ac<a |f>dB<e c<(AAg)|a<ee>a c<ae<g| | ||
a<ec>a c>aB>g |a<ef<a eada |caBa cAA |] | |||
</pre> | </pre> | ||
| Line 87: | Line 85: | ||
.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a|| | .a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a|| | ||
</pre> | </pre> | ||
<pre> | <pre> | ||
X:1 | X:1 | ||
% | |||
T:Money Musk | T:Money Musk | ||
M:4/4 | M:4/4 | ||
| Line 102: | Line 100: | ||
|:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:| | |:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:| | ||
</pre> | </pre> | ||
<pre> | |||
X:1 | |||
% | |||
T:Mony Musk | |||
M:C| | |||
L:1/8 | |||
S:Anonymous 1862 American music manuscript collection (p. 6) | |||
N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up | |||
Z:AK/Fiddler’s Companion | |||
K:A | |||
(a/f/)|eAcA eAcf|eAcA Bcdf|eAcA eaga|fdBe cAAf| | |||
eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:| | |||
|:A|AAce a2a2|AAce b2b2|AAce a2a2|efgb a2a2| | |||
AAce a2a2|AAce b2b2|AAce a2a2|efgb a3:| | |||
|:e|aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3e| | |||
aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3:|] | |||
</pre> | |||
<pre> | <pre> | ||
X:2 | X:2 | ||
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D:taken from the playing of Cyril Stinnett | D:taken from the playing of Cyril Stinnett | ||
Z:B. Shull, trans.; R. P. LaVaque, ABCs | Z:B. Shull, trans.; R. P. LaVaque, ABCs | ||
K:A ( | K:A | ||
e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|! | (e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|! | ||
eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|! | eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|! | ||
|Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|! | |Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|! | ||
| Line 141: | Line 155: | ||
-a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|] | -a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|] | ||
</pre> | </pre> | ||
<pre> | <pre> | ||
X:4 | X:4 | ||
| Line 178: | Line 191: | ||
g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe|| | g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe|| | ||
</pre> | </pre> | ||
<pre> | <pre> | ||
X:6 | X:6 | ||
Revision as of 21:22, 29 March 2017
Tune annotations
X:1
%
T:Money Musk [1]
L:1/8
M:4/4
K:G
e|d<GB>G d>Gc>e|d<GB>G A/B/A c>e|d<GB>G B/c/d d>g|
e>c A>d B<G G:|f|g2d>g B>gd>f|g>d c>g B>g A>f|
g>de>g d>gB>g|e>c A>d B<GG>f||f|g>dd>g B>gd>f|
g>d c>g B>g A>f|g>d e>g d>g c<g|B<g A>c B<G G||
|:g|G/G/G B>G B/dG/ c<e|G/G/G B<g A/A/A c<e|G/G/G B<G B/c/d d<g|
{de} =f>c A/B/c B<G G:|z/d/|g>d B<g d<gB>d|g>d c<g B<g A>d|
g>d B<g d<gB<g|e/f/g A/B/c B<G G>d|g>d B<g d<gB>d|
g/f/e d<g B<g A>d|g>d e<g d<g c<g|B<g A<g B<G G|]
X: 2 % T: Money Musk [1] B: Peacocks' Tunes (1805) L: 1/8 M: C Z: Valerio M. Pelliccioni K: G e|d>GB>G d>Gc>e|d>GB>G (AB/A/) c>e|d>GB>G (3Bcd dg|e>cA>d A>GG:|| e/f/|g>eB>g d>gA>g|g>dc>g B>gA>g|g>de>g d>gB>g|e>cA>d BGG e/f/| g>dB>g d>gB>f|g>dc>g B>gA>f|g>de>g d>gc>g|B>gA>g B>GG:||
X:7 % T:Monie Musk [1] S:Petrie's Second Collection of Strathspey Reels and Country Dances &c., p. 11 Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/5/04 L:1/8 M:C R:Strathspey K:A f|e<Ac>A e>Ad<f|e<Ac>A (B/c/B) d>f|e<Ac>A c<(ee>a)| fdBe cAA :|g|a<ee>a c<ae>g|a<ec>a c>aG>g | a<e f>a e>ac<a |f>dB<e c<(AAg)|a<ee>a c<ae<g| a<ec>a c>aB>g |a<ef<a eada |caBa cAA |]
X:1
%
T:Money Musk [1]
M:2/4
L:1/8
R:Reel
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 1, p. 98)
Z:AK/Fiddler’s Companion
K:A
{b}(a/f/)|.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) B/c/d/f/|.e/(A/c/A/) .c/(a/g/a/)|f/d/B/e/ c/A/A/f/|
.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) E/G/B/c/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
(3e/f/g/|.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|.a/(e/f/a/) (e/a/)(c/a/)|f/d/B/e/ c/A/E/e/|
.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
X:1 % T:Money Musk M:4/4 L:1/8 R:Reel S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 7) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:G e|dGBG dBce|dGBG ABce|dGBG Bddg|ecAc BG G:| |:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:|
X:1 % T:Mony Musk M:C| L:1/8 S:Anonymous 1862 American music manuscript collection (p. 6) N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up Z:AK/Fiddler’s Companion K:A (a/f/)|eAcA eAcf|eAcA Bcdf|eAcA eaga|fdBe cAAf| eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:| |:A|AAce a2a2|AAce b2b2|AAce a2a2|efgb a2a2| AAce a2a2|AAce b2b2|AAce a2a2|efgb a3:| |:e|aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3e| aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3:|]
X:2 % T:Monymusk [1] M:C L:1/8 R:Strathspey B:Stewart-Robertson – The Athole Collection (1884) Z:AK/Fiddler’s Companion K:C e|d<G B>G d>G c<e|d<G B>G (3ABA c>e|d<G B>G B<d d>g| e>cA>d ~B<GG:||:f|g>dB>g d>gB>g|g>dB>g c>gA>f| |1 g>de>g d>gB>g|e>cA>d B<GG:|2 g>de>g d<bc<a|B<gA<g B<GG||
X:3 % T:Money Musk [1] M:2/4 L:1/16 Q:122 C:Trad. S:from Cyril Stinnett (Mo.) R:Reel A:Missouri B:transcribed in OTFR as #18 D:taken from the playing of Cyril Stinnett Z:B. Shull, trans.; R. P. LaVaque, ABCs K:A (e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|! eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|! |Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|! Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAe-|! |a-e)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAe|! (ae)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAA|! |a2c'(a ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad)(c'|bd')bg a2c'(b-|! -a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|]
X:4 % T:Moneymusk [1] M:4/4 L:1/8 O:Probably a version from Teelin, County Donegal. K:A af || eAcA e2 (3agf | eAdc BEGB | eAcA e3a | fdBa (3gfe (3agf | eAcAe2(3agf |eAcA Bcdf | eccB cdea | fdBc defg || a2ea ceA2 | aAce fBB2 | a2ea ceA2 |dcBc defg | a2ea ceA2 | aAce fBBe | (3agf (3gfe (3fed (3cBA | (3fga (3gfe fgaf ||
X:5 % T:Moniemusk Reel [1], The M:4/4 L:1/8 S:Capt. F. O'Neill Z:Paul Kinder N:O’Neill remarks: “The first and second parts as above noted constitute the original tune N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in N: 1783. The third was substituted for the more difficult second by modern fiddlers, and N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest N: Highland piper of his day in Chicago, some fifty years ago.” R:Reel K:G e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:| |:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:| |:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:| 2gefd ecdc|BcAc BG G2||g2 gf g2 (3def| g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def| g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||
X:6 % T:Money Musk [1] C:Joseph Allard M:2/4 L:1/16 Z:Transcribed by Bruce Osborne K:G ge|:dGBG dGce|dGBG ABce|dGBG dGBg|BeAc BGGe|! dGBG dGBe|dGBG ABce|dGBG dGBg|BeAc BGG2:|! |:gdeg dgBa|gdca BAAf|gdeg dBca|BgAd BGGf|! gdeg dgBa|gdca BAAf|gdeg dBca|BgAf gGG2:|!