Annotation:Frisky (1): Difference between revisions

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Revision as of 17:05, 13 July 2018

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X: 1 % T: Frisky (1) M: 2/4 L: 1/16 K: Gmaj dBgd edcB| ABcd cBAG|dBgd edcB| AcBA G2G2:| AcBd dcBA|Adce edcA|dBgd edcB|AcBA G2G2:|



FRISKY. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky," but this particular melody appears unique to Peacock's publication.

Additional notes

Source for notated version: -

Printed sources : Peacock (Peacock’s Tunes), c. 1805; No. 1, p. 1.

Recorded sources: - Heritage XXXIII, Forest Pick (Ohio) - "Visits" (1981). Ruthie Dornfeld, Kristian Bugge and Jamie Fox - "3 Fiddlers 3 Traditions" (2017).

UR-TEXT Editorial annotation:

     When the Copyist has made a choice, this has been marked with brackets "[ ]" or parenthesis "( )".
     For example in Frisky, where there is no time signature in the original edition, or in Meggy's Foot (8th) and Over the Border (9th) and 11(th) where there is a rhythmic inconsistency.

Unable to compile LilyPond input file:



     Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having "his lilts, his pauses, and his variations" [L.Jessop], suggested to the copyist that ornaments, dotted notes, slurs, staccatos and graces must be left unaltered in this Urtext because they are expressions of the author. Nevertheless, the trill signs have been subsituted with the inverted mordent. This ornament is sometimes called a transient shake because it is really only a part of the more elaborate grace known as the "perfect trill". [K.W.Gehrkens]


\version "2.10.33"
\header {
	%book = "Peacocks' Tunes"
       %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
	%crossRefNumber = "1"
	%footnotes = ""
	tagline = ##f
}
voicechange =  {

%%%% START PASTE AREA  %%%%
\key c \major
    	   \time 4/4
    	   \override Staff.TimeSignature #'stencil = ##f
    	   \override NonMusicalPaperColumn #'line-break-permission = ##f
    	   %\set Staff.instrumentName = "34."
    	   \relative c''{
       	   e16.[\trill d32 e16 f]
       	   \stopStaff
       	   s1_\markup{changes to}
       	   \startStaff
       	   e16.[\prall  d32 e16 f]\bar"|"
       	}
}
%%%% END PASTE AREA  %%%%

\score{
    <<
	\context Staff="default"
	{
	    \voicechange                        
	}
        >>
        \layout
        {
         \context 
          {
           \Score
           \remove "Bar_number_engraver"
          }
        }
\midi { }
}



     Evident mistakes, have been corrected and underlined with "analysis brackets" as shown in the following 34th measure of Felton Lonning:

Unable to compile LilyPond input file:

line 15 - column 51:
GUILE signaled an error for the expression beginning here
--------
line 20 - column 66:
GUILE signaled an error for the expression beginning here



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