Template:Featured Tune: Difference between revisions

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Bisbee, Jasper "Jep." "The Opera Reel (with calls)." Edison 51278. 78 RPM. 1923.

"The Shepherd's Wife" is an air, perhaps a slow dance tune, sometimes used as a waltz in modern times. It was printed in Johnson’s Scots Musical Museum (vol. IV, song 362, pp. 372-373) as the vehicle for the song “The Shepherd’s Wife,” with pastoral but comic verses by poet Robert Burns. They begin:

The shepherd's wife cries o'er the knowe,
'Will ye come hame, will ye come hame?'
The shepherd's wife cries o'er the knowe,
'Will ye come hame again e'en jo?'
'O what will ye gie me to my supper,
Gin I come hame, gin I come hame,
'O what will ye gie me to my supper,
Gin I come hame again e'en jo?

The song consists of a husband answering his wife's questions. Poet Robert Burns re-wrote an older song, the original of which Robert Chambers ^[1] traced back to David Herd's Ancient and Modern Scottish Songs, vol. ii (1775). The 19th century antiquarian Stenhouse, in his notes to the Scots Musical Museum, suggested that the original tune for the song was "Bab at the Bowster"/"Babbity Bowster", AKA "Country Bumpkin (The)," a rather better-known melody, while Chambers thought the "Shepherd's Wife" melody could also be traced to Herd. John Glen (Early Scottish Melodies, 1900, p. 175), disagrees with both conclusions, saying that there is no evidence of precursor melodies or earlier appearances in print. Glen finds that the first appearance of the tune was in William Napier's Selection of Original Scots Songs, vol. 3 (1794, p. 29).

A jig or quadrille version of the tune appears as "Tennessee Hornpipe" in Bayard's 1981 collection (No. 499, p. 458), collected in southwestern Pennsylvania.

THE SHEPHERD'S WIFE full Score(s) and Annotations and Past Featured Tunes

X:1 T:Shepherd's Wife [1], The M:6/8 L:1/8 R:Air Q:"Lively" B:William Napier - Selection of Scots Songs, vol. 3 (1794, p. 29) Z:AK/Fiddler's Companion K:Eb P:"Vocal air" V:1 B,|E2F G2A|B2e {e}d2B|(cd) e (BA) G|(FG) E {E}D2B,| E2F G2A|B2e {e}d2B|(Bc) e f>e d|e3 E2|| e|g>ag (f>e)d |(e>f) e e d B|(cd) e (BA) G|(EF) E D2B,| g>a g (fe) d|(e>f) e {e}d>c B|(c>d) e f>e d|e3 E2|| P:"Violin part by Haydn" V:2 B,|E2D E2F|G2G F2E |E3- EDE|C3 B,2z| G,/B,/E/B,/A,/B,/ G,/B,/E/B,/A,/B,/|G,/B,/E/B,/G/E/ GF B,/E/|C/E/D/F/E/G/ [CF]z[A,D]|[G,E][G,E][G,E] [G,2E2]|| z|EGB DFB|CG=A B2G|_A3 GFE|A,2 =A, B,2z| [G3e3] [Fe]d[Fd]|([Ed]c)[Ec] ([Dc]B) _D/B/|C/B/A/=D/E/G/ A,/F/G,/E/A,/D/|E/B,/G,/B,/G,/B,/ G,2||

↑ Chambers, Songs of Scotland Prior to Burns, 1862.

[1] Chambers, Songs of Scotland Prior to Burns, 1862.

[1]

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-[[File:TheDevil%27sDream.gif|350px|thumb|left|link=|Bisbee, Jasper "Jep." "The Opera Reel (with calls)." Edison 51278. 78 RPM. 1923.]]
+[[File:TheShepherdWife.jpg|350px|thumb|left|link=|Bisbee, Jasper "Jep." "The Opera Reel (with calls)." Edison 51278. 78 RPM. 1923.]]
-Bayard (1981) did not find it in any collection older than the early 19th century (however, earlier printings did exist--see below). According to Linscott (1939) the tune "was fitted for a contra dance performed on the stage." Bronner (1987) thinks there may be stage origins for the tune on the strength of his observation that "besides producing light operas, popular theaters and chautauquas often did vernacular versions or even parodies of opera," though he admits the tune sounds Scottish or Irish. Apparently as another speculation, he also suggests the "operatic" triplet pattern in the third part "probably suggested the name of 'Opera Reel' in its early forms." There is also a rumor floating about the the reel is made up of strains from different French operas, although this appears to be completely erroneous. Tony Parkes and Steve Woodruff (1980) state the tune was an early 19th century American melody likely modeled on the multi-part Irish and Scottish reels of the 18th century and was particularly popular in the 1850's. Indeed, the "Opera Reel" appears in the 1823 music manuscript book of H. Canfield (Hartford, Conn.), '''A Choice Selection of Flute Melodies'''.
+"The Shepherd's Wife" is an air, perhaps a slow dance tune, sometimes used as a waltz in modern times.  It was printed in Johnson’s '''Scots Musical Museum''' (vol. IV, song 362, pp. 372-373) as the vehicle for the song “The Shepherd’s Wife,” with pastoral but comic verses by poet Robert Burns. They begin:
+<blockquote>
+''The shepherd's wife cries o'er the knowe, ''<br>
+'' 'Will ye come hame, will ye come hame?' ''<br>
+''The shepherd's wife cries o'er the knowe, ''<br>
+'' 'Will ye come hame again e'en jo?' ''<br>
+'' 'O what will ye gie me to my supper, ''<br>
+''Gin I come hame, gin I come hame, ''<br>
+'' 'O what will ye gie me to my supper, ''<br>
+''Gin I come hame again e'en jo?''<br>
+</blockquote>
+The song consists of a husband answering his wife's questions. Poet Robert Burns re-wrote an older song, the original of which Robert Chambers <ref>Chambers, '''Songs of Scotland Prior to Burns''', 1862.</ref> traced back to David Herd's '''Ancient and Modern Scottish Songs, vol. ii''' (1775).  The 19th century antiquarian Stenhouse, in his notes to the '''Scots Musical Museum''', suggested that the original tune for the song was "[[Bab at the Bowster]]"/"[[Babbity Bowster]]", AKA "[[ Country Bumpkin (The)]]," a rather better-known melody, while Chambers thought the "Shepherd's Wife" melody could also be traced to Herd. John Glen ('''Early Scottish Melodies''', 1900, p. 175), disagrees with both conclusions, saying that there is no evidence of precursor melodies or earlier appearances in print.  Glen finds that the first appearance of the tune was in William Napier's '''Selection of Original Scots Songs, vol. 3''' (1794, p. 29).
 <br>
 <br>
-Despite the tune's profound association with New England contra dancing, an American claim of provenance (or even partial provenance) is not supported by the evidence. "Opera Reel" was published in Dublin in 1795 in a gentleman's literary journal called '''Walker's Hibernian''', and around the same time by Dublin publisher T. Cooke in '''Tracy’s selection of the present favorite country dances''' (c. 1795). Anne Loughran and Vic Gammon's '''Sussex Tune Book''' (English Folk Dance and Song Society, 1982) contains what may be a cognate or ancestral melody under the title "[[Duke of Cornwall's Reel|The Duke of Cornwall's Reel]]," sourced from a manuscript music book compiled by William Aylmore of West Wittering (Sussex, England). Aylemore was a clarinet player whose book contains dance, military and religious music and is dated 1796 in one place and 1818 in another.
+A jig or quadrille version of the tune appears as "[[Tennessee Hornpipe]]" in Bayard's 1981 collection (No. 499, p. 458), collected in southwestern Pennsylvania.
 <br>
-<br>
-In New Hampshire the tune was used for the dance Boston Fancy or Lady Walpole's Reel, as well as the dance also called The Opera Reel [http://www.izaak.unh.edu/dlp/NorthernJunket/pages/NJv01/NJv01-01/NJv.01.01.p16.htm]. Directions for the dance were printed in
-H.G.O. Washburn's '''The Ball-Room Manual of Contra Dances and Social Cotillons''' (Belfast, Maine, 1863):
-<blockquote>
-''OPERA REAL.   80 Steps.''<br>
-''Note. – Form sets of five or six couples only in each. First couple balance, down the centre to foot of set--second couple'' ''balance, down to foot of set--four right and left at foot--both couples up the centre, first couple down outside and remain''
-''at the foot.''
-</blockquote>
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-[[Annotation:Draper%27s_Gardens_(1)|DRAPER'S GARDEN full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
+[[Annotation:Shepherd%27s_Wife_(1)_(The)|THE SHEPHERD'S WIFE full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
 ----
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-{{#widget:SoundCloud |id=196206286}}
+{{#widget:SoundCloud |id=396856287}}
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-X:6
+X:1
-T:The Opera Reel
+T:Shepherd's Wife [1], The
-M:C|
+M:6/8
 L:1/8
-R:Reel/Country Dance
+R:Air
-K:D
+Q:"Lively"
-DD/D/ DG FEFA|DD/D/ DF EDEF|DD/D/ DG FEFA|BdAF E2E2:|
+B:William Napier - Selection of Scots Songs, vol. 3 (1794, p. 29)
-dDdD dAFD|dDdD dAFD|dDdD dgfe|dDdD dAFD|BdAF E2E2:|
+Z:AK/Fiddler's Companion
-afaf gege|fdfd ecBA|afaf gege|fbac d2d2:|
+K:Eb
-Ddfd Eebg|Aceg fdfd|Ddfd Eege|fbac d2d2:||
+P:"Vocal air"
+V:1
+B,|E2F G2A|B2e {e}d2B|(cd) e (BA) G|(FG) E {E}D2B,|
+E2F G2A|B2e {e}d2B|(Bc) e f>e d|e3 E2||
+e|g>ag (f>e)d |(e>f) e e d B|(cd) e (BA) G|(EF) E D2B,|
+g>a g (fe) d|(e>f) e {e}d>c B|(c>d) e f>e d|e3 E2||
+P:"Violin part by Haydn"
+V:2
+B,|E2D E2F|G2G F2E |E3- EDE|C3 B,2z|
+G,/B,/E/B,/A,/B,/ G,/B,/E/B,/A,/B,/|G,/B,/E/B,/G/E/ GF B,/E/|C/E/D/F/E/G/ [CF]z[A,D]|[G,E][G,E][G,E] [G,2E2]||
+z|EGB DFB|CG=A B2G|_A3 GFE|A,2 =A, B,2z|
+[G3e3] [Fe]d[Fd]|([Ed]c)[Ec] ([Dc]B) _D/B/|C/B/A/=D/E/G/ A,/F/G,/E/A,/D/|E/B,/G,/B,/G,/B,/ G,2||