Bob Chadduck's: Difference between revisions
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'''BOB CHADDUCH'S JIG'''. AKA and see "[[King Pin]]." American, 'Sand Jig'. A Major. Standard tuning (fiddle). AABB. A "sand jig" is a designation for a synchopated type of dance tune popular in the mid-19th century. It received its name from the practice of sanding the stage to reduce friction and facilitate the brushing of the shoes. "[[King Pin]]" is related in the first strain. Provenance for the tune has yet to be determined. It appears in the Scottish collections of Köhler and Kerr, both of which predate Ryan's 1883 collection (1881 and c. 1875, respectively), however in the Köhler's volume (edited by W.B. Laybourn) it is in a section labelled "American Tunes." | '''BOB CHADDUCH'S JIG'''. AKA and see "[[King Pin]]." American, 'Sand Jig'. A Major. Standard tuning (fiddle). AABB. A "sand jig" is a designation for a synchopated type of dance tune popular in the mid-19th century. It received its name from the practice of sanding the stage to reduce friction and facilitate the brushing of the shoes. "[[King Pin]]" is related in the first strain. Provenance for the tune has yet to be determined. It appears in the Scottish collections of Köhler and Kerr, both of which predate Ryan's 1883 collection (1881 and c. 1875, respectively), however in the Köhler's volume (edited by W.B. Laybourn) it is in a section labelled "American Tunes." | ||
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'''© 1996-2010 Andrew Kuntz. All Rights Reserved.''' | '''© 1996-2010 Andrew Kuntz. All Rights Reserved.''' | ||
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Engraver Valerio M. Pelliccioni | Engraver Valerio M. Pelliccioni | ||
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Revision as of 09:22, 6 May 2019
BOB CHADDUCH'S JIG. AKA and see "King Pin." American, 'Sand Jig'. A Major. Standard tuning (fiddle). AABB. A "sand jig" is a designation for a synchopated type of dance tune popular in the mid-19th century. It received its name from the practice of sanding the stage to reduce friction and facilitate the brushing of the shoes. "King Pin" is related in the first strain. Provenance for the tune has yet to be determined. It appears in the Scottish collections of Köhler and Kerr, both of which predate Ryan's 1883 collection (1881 and c. 1875, respectively), however in the Köhler's volume (edited by W.B. Laybourn) it is in a section labelled "American Tunes."
Printed source: Cole (1000 Fiddle Tunes), 1940; p. 80. Kerr (Merry Melodies), vol. 2; No. 424, p. 48. Köhlers’ Violin Repository, Book 1, 1881-1885; p. 77. Ryan's Mammoth Collection, 1883; p. 113.
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EA/B/ c/>e/ z/e/ | f/e/c/e/ a{g}a | EA/B/ c/<e/ z/e/ | f/e/d/c/ B/e/^d/e/ |
z/ E/A/B/ c/<e/ z/e/ | f/e/^d/e/ f/a/g/a/ | (b/>.g/)(a/>.f/) e/c/A/B/ | z/ c/B/G/ A2 :|
|: A{g}a A{g}a | f/e/d/e/ f2/ | ze e2 | (3c/B/A/ B/G/ A/c/B/A/ | E{^g}a z{g}a |
f/e/^d/e/ f/a/g/a/ | (b/>g/)(a/>.f/) e/c/A/B/ | z/ c/B/G/ A :||
© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraver Valerio M. Pelliccioni