Contrivance (The): Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
Line 16: | Line 16: | ||
|f_theme_code_index=356L6L 5L57L2 | |f_theme_code_index=356L6L 5L57L2 | ||
}} | }} | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''CONTRIVANCE, THE'''. Scottish, Air (6/8 time). A Major. Standard tuning (fiddle). AABB. The melody is attributed by Nathaniel Gow to John MacDonald of Dundee (a dancing master who also composed "Memory of Joys that are past" and "Maids of Arrochar"). | '''CONTRIVANCE, THE'''. Scottish, Air (6/8 time). A Major. Standard tuning (fiddle). AABB. The melody is attributed by Nathaniel Gow to John MacDonald of Dundee (a dancing master who also composed "Memory of Joys that are past" and "Maids of Arrochar"). | ||
<br> | <br> |
Revision as of 10:05, 6 May 2019
CONTRIVANCE, THE. Scottish, Air (6/8 time). A Major. Standard tuning (fiddle). AABB. The melody is attributed by Nathaniel Gow to John MacDonald of Dundee (a dancing master who also composed "Memory of Joys that are past" and "Maids of Arrochar").
Printed source: Gow (Sixth Collection of Strathspey Reels), 1822; p. 18.
X:1 T:Contrivance, The M:6/8 L:1/8 N:"Very Slow" B:Gow - Sixth Collection of Strathspey Reels (1822) Z:AK/Fiddler's Companion K:A A/B/|{d}c>Bc (ec)A|F>EF ~F2E|(EA).c e(d/c/)(B/A/)|GBB B2 A/B/|{d}c>Bc ecA| !trill!F>EF F2E|(e/d/)(c/d/)(e/f/) (ec) B/A/|{^E}(FA)A A2::c/d/|(ef).g a3|(a/g/)(a/b/)(a/g/) (f/e/)(d/c/)(B/A/)| (d/c/)(d/f/)(B/d/) (c/B/c/)(e/A/c/)|GBB B2 c/d/|(ef)g a3|(a/g/a/b/a/g/) (f/e/)(d/c/)(B/A/)|(d/c/)(d/e/)(f/d/) (ec) B/A/|(FA).A A2:||