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'''ASGILL'S RANT'''.  English, Jig. D Major. Standard tuning (fiddle). AABB. The melody is unique to Charles and Samuel Thompson's third country dance collection (London, 1773). Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the ''Rant'' was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody. However, as "Asgill's Rant" proves, it was not exclusive to fast duple meter tunes.  
'''ASGILL'S RANT'''.  English, Jig. D Major. Standard tuning (fiddle). AABB. The melody is unique to Charles and Samuel Thompson's third country dance collection (London, 1773). Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the ''Rant'' was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody. However, as "Asgill's Rant" proves, it was not exclusive to fast duple meter tunes.  
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 3'''), 1773; No. 51.
''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 3'''), 1773; No. 51.
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Latest revision as of 11:01, 6 May 2019

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ASGILL'S RANT. English, Jig. D Major. Standard tuning (fiddle). AABB. The melody is unique to Charles and Samuel Thompson's third country dance collection (London, 1773). Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the Rant was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody. However, as "Asgill's Rant" proves, it was not exclusive to fast duple meter tunes.

Source for notated version:

Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 3), 1773; No. 51.

Recorded sources:




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