Annotation:Badin (Le): Difference between revisions
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'''BADIN LE'''. AKA and see "[[Carle He came through the Croft (2) (The)]]." The melody first appears in Rutherford's '''Choice Collection of Sixty of the Most Celebrated Country Dances''' (London, 1750). Although the tunes are different, it may have been modeled after a French country dance called "La Badine" that appears in early 18th century Continental publications. | '''BADIN LE'''. AKA and see "[[Carle He came through the Croft (2) (The)]]." The melody first appears in Rutherford's '''Choice Collection of Sixty of the Most Celebrated Country Dances''' (London, 1750). Although the tunes are different, it may have been modeled after a French country dance called "La Badine" that appears in early 18th century Continental publications. | ||
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''Source for notated version'': William Vickers 1770 music manuscript collection (Northumberland) [Seattle]. | ''Source for notated version'': William Vickers 1770 music manuscript collection (Northumberland) [Seattle]. | ||
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''Printed sources'': Seattle ('''Great Northern/William Vickers'''), 1770/2008; No. 520. | ''Printed sources'': Seattle ('''Great Northern/William Vickers'''), 1770/2008; No. 520. | ||
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''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
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Revision as of 11:01, 6 May 2019
Back to Badin (Le)
BADIN LE. AKA and see "Carle He came through the Croft (2) (The)." The melody first appears in Rutherford's Choice Collection of Sixty of the Most Celebrated Country Dances (London, 1750). Although the tunes are different, it may have been modeled after a French country dance called "La Badine" that appears in early 18th century Continental publications.
Source for notated version: William Vickers 1770 music manuscript collection (Northumberland) [Seattle].
Printed sources: Seattle (Great Northern/William Vickers), 1770/2008; No. 520.
Recorded sources: