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'''CHASSE DE GARDE COTILLION, LA.''' AKA - "Chasse de la Garde (La)." English, Cotillion (6/8 time). D Major. Standard tuning (fiddle). ABC. The melody, originally French but adopted in Britain for fashionable dancing, appears in Neil Stewart's '''A Select Collection of Scots English Irish and Foreign Airs Jiggs & Marches''' [http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87709165] (Edinburgh, 1788, p. 14). Dance instructions were printed in a manual entitled '''Book the First, Containing the Figures to Twenty-Four New French Cotillions''' dating from c. 1780, perhaps published in Bath. | '''CHASSE DE GARDE COTILLION, LA.''' AKA - "Chasse de la Garde (La)." English, Cotillion (6/8 time). D Major. Standard tuning (fiddle). ABC. The melody, originally French but adopted in Britain for fashionable dancing, appears in Neil Stewart's '''A Select Collection of Scots English Irish and Foreign Airs Jiggs & Marches''' [http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87709165] (Edinburgh, 1788, p. 14). Dance instructions were printed in a manual entitled '''Book the First, Containing the Figures to Twenty-Four New French Cotillions''' dating from c. 1780, perhaps published in Bath. | ||
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''Printed sources'': Wilson ('''Companion to the Ball Room'''), 1816; p. 160. | ''Printed sources'': Wilson ('''Companion to the Ball Room'''), 1816; p. 160. | ||
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Revision as of 12:07, 6 May 2019
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CHASSE DE GARDE COTILLION, LA. AKA - "Chasse de la Garde (La)." English, Cotillion (6/8 time). D Major. Standard tuning (fiddle). ABC. The melody, originally French but adopted in Britain for fashionable dancing, appears in Neil Stewart's A Select Collection of Scots English Irish and Foreign Airs Jiggs & Marches [1] (Edinburgh, 1788, p. 14). Dance instructions were printed in a manual entitled Book the First, Containing the Figures to Twenty-Four New French Cotillions dating from c. 1780, perhaps published in Bath.
Source for notated version:
Printed sources: Wilson (Companion to the Ball Room), 1816; p. 160.
Recorded sources:
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