Annotation:Dearest Dicky: Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''DEAREST DICKY'''. AKA - "Dearest Dickie." AKA and see "[[Marquis of Harlington (The)]]." English, Morris Dance Tune (6/8 time). G Major. Standard tuning (fiddle). AABBB, AABBB, AACCC, AACCC. A cornerdance and tune from the village of Leafield, Oxfordshire, in England's Cotswolds. Leafield was called Fieldtown by the collector Cecil Sharp [https://en.wikipedia.org/wiki/Cecil_Sharp] (1859-1924), and the group of dances from that village are today known in morris circles as Fieldtown dances. The music was largely collected by Sharp from a fiddler by the name of Frank Butler. The melody appears in the c. 1860's music manuscript of William Tildesley (Swinton, Lancashire), under the title "The Marquis."  
'''DEAREST DICKY'''. AKA - "Dearest Dickie." AKA and see "[[Marquis of Harlington (The)]]." English, Morris Dance Tune (6/8 time). G Major. Standard tuning (fiddle). AABBB, AABBB, AACCC, AACCC. A cornerdance and tune from the village of Leafield, Oxfordshire, in England's Cotswolds. Leafield was called Fieldtown by the collector Cecil Sharp [https://en.wikipedia.org/wiki/Cecil_Sharp] (1859-1924), and the group of dances from that village are today known in morris circles as Fieldtown dances. The music was largely collected by Sharp from a fiddler by the name of Frank Butler. The melody appears in the c. 1860's music manuscript of William Tildesley (Swinton, Lancashire), under the title "The Marquis."  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'':  
''Source for notated version'':  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Bacon ('''The Morris Ring'''), 1974; p. 159. Mallinson ('''Mally's Cotswold Morris Book'''), 1988; No. 21, p. 16.  
''Printed sources'': Bacon ('''The Morris Ring'''), 1974; p. 159. Mallinson ('''Mally's Cotswold Morris Book'''), 1988; No. 21, p. 16.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal>Cottey Light Industries CLI-903, Dexter et al - "Over the Water" (1993). Fellside Records FECD192, Spiers & Boden - "Tunes" (2005).</font>
''Recorded sources'': <font color=teal>Cottey Light Industries CLI-903, Dexter et al - "Over the Water" (1993). Fellside Records FECD192, Spiers & Boden - "Tunes" (2005).</font>
</font></p>
</font></p>

Revision as of 12:13, 6 May 2019

Back to Dearest Dicky


DEAREST DICKY. AKA - "Dearest Dickie." AKA and see "Marquis of Harlington (The)." English, Morris Dance Tune (6/8 time). G Major. Standard tuning (fiddle). AABBB, AABBB, AACCC, AACCC. A cornerdance and tune from the village of Leafield, Oxfordshire, in England's Cotswolds. Leafield was called Fieldtown by the collector Cecil Sharp [1] (1859-1924), and the group of dances from that village are today known in morris circles as Fieldtown dances. The music was largely collected by Sharp from a fiddler by the name of Frank Butler. The melody appears in the c. 1860's music manuscript of William Tildesley (Swinton, Lancashire), under the title "The Marquis."

Source for notated version:

Printed sources: Bacon (The Morris Ring), 1974; p. 159. Mallinson (Mally's Cotswold Morris Book), 1988; No. 21, p. 16.

Recorded sources: Cottey Light Industries CLI-903, Dexter et al - "Over the Water" (1993). Fellside Records FECD192, Spiers & Boden - "Tunes" (2005).




Back to Dearest Dicky