Annotation:Drunken Reel (1) (The): Difference between revisions
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'''DRUNKEN REEL [1], THE'''. Irish, Reel. Ireland, northern Ireland. E Dorian ('A' part) & D Major ('B' part). Standard tuning (fiddle). AABB. Related to "[[Pigeon on the Gate (2)]]." See also "[[Drunken Piper (2)]]." Feldman & O'Doherty's source for the tune, fiddler Peter Turbit of south County Tyrone, had learned his music from his Uncle Ned around the turn of the 20th century, and was relatively isolated and unaffected by more modern fiddling styles. His repertoire and playing was considered archaic; more slow and 'rustic', with idiosyncratic elements. | '''DRUNKEN REEL [1], THE'''. Irish, Reel. Ireland, northern Ireland. E Dorian ('A' part) & D Major ('B' part). Standard tuning (fiddle). AABB. Related to "[[Pigeon on the Gate (2)]]." See also "[[Drunken Piper (2)]]." Feldman & O'Doherty's source for the tune, fiddler Peter Turbit of south County Tyrone, had learned his music from his Uncle Ned around the turn of the 20th century, and was relatively isolated and unaffected by more modern fiddling styles. His repertoire and playing was considered archaic; more slow and 'rustic', with idiosyncratic elements. | ||
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''Source for notated version'': fiddler Peter Turbit [Feldman & O'Doherty]. | ''Source for notated version'': fiddler Peter Turbit [Feldman & O'Doherty]. | ||
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''Printed sources'': Feldman & O'Doherty ('''The Northern Fiddler'''), 1979; p. 236. | ''Printed sources'': Feldman & O'Doherty ('''The Northern Fiddler'''), 1979; p. 236. | ||
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Revision as of 12:32, 6 May 2019
Back to Drunken Reel (1) (The)
DRUNKEN REEL [1], THE. Irish, Reel. Ireland, northern Ireland. E Dorian ('A' part) & D Major ('B' part). Standard tuning (fiddle). AABB. Related to "Pigeon on the Gate (2)." See also "Drunken Piper (2)." Feldman & O'Doherty's source for the tune, fiddler Peter Turbit of south County Tyrone, had learned his music from his Uncle Ned around the turn of the 20th century, and was relatively isolated and unaffected by more modern fiddling styles. His repertoire and playing was considered archaic; more slow and 'rustic', with idiosyncratic elements.
Source for notated version: fiddler Peter Turbit [Feldman & O'Doherty].
Printed sources: Feldman & O'Doherty (The Northern Fiddler), 1979; p. 236.
Recorded sources: