Annotation:Duke and No Duke: Difference between revisions
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'''DUKE AND NO DUKE'''. English, Jig. F Major. Standard tuning (fiddle). AABB. The melody is unique to London publishers Charles and Samuel Thompson's 1757 country dance collection. '''A Duke and No Duke; or, Trampolin's Vagaries''' was a farce in two acts written in 1684 by Nahum Tate and produced at Drury Lane, and was based on an earlier work by Cokain called '''Trappolin Creduto Principe; Trappolin suppos'd a Prince''' (1656). It continued as a farce and was adapted as a ballad opera and a "comic melodramatic" burletta, and remained popular until the early 19th century. | '''DUKE AND NO DUKE'''. English, Jig. F Major. Standard tuning (fiddle). AABB. The melody is unique to London publishers Charles and Samuel Thompson's 1757 country dance collection. '''A Duke and No Duke; or, Trampolin's Vagaries''' was a farce in two acts written in 1684 by Nahum Tate and produced at Drury Lane, and was based on an earlier work by Cokain called '''Trappolin Creduto Principe; Trappolin suppos'd a Prince''' (1656). It continued as a farce and was adapted as a ballad opera and a "comic melodramatic" burletta, and remained popular until the early 19th century. | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances''', vol. 1), 1757; No. 57. | ''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances''', vol. 1), 1757; No. 57. | ||
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''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
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Latest revision as of 12:32, 6 May 2019
Back to Duke and No Duke
DUKE AND NO DUKE. English, Jig. F Major. Standard tuning (fiddle). AABB. The melody is unique to London publishers Charles and Samuel Thompson's 1757 country dance collection. A Duke and No Duke; or, Trampolin's Vagaries was a farce in two acts written in 1684 by Nahum Tate and produced at Drury Lane, and was based on an earlier work by Cokain called Trappolin Creduto Principe; Trappolin suppos'd a Prince (1656). It continued as a farce and was adapted as a ballad opera and a "comic melodramatic" burletta, and remained popular until the early 19th century.
Source for notated version:
Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 1), 1757; No. 57.
Recorded sources:
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