Annotation:Eccles's Rant: Difference between revisions
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'''ECCLES'S RANT'''. Scottish, Rant (cut time). D Mixolydian. Standard tuning. AABB. The name Eccles is a Brittonic borrowing of the Latin word ''ecclesia'', meaning church. The melody appears in the '''Bodleian Manuscript''' (in the Bodleian Library, Oxford), inscribed "A Collection of the Newest Country Dances Performed in Scotland written at Edinburgh by D.A. Young, W.M. 1740." Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the ''Rant'' was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody. | '''ECCLES'S RANT'''. Scottish, Rant (cut time). D Mixolydian. Standard tuning. AABB. The name Eccles is a Brittonic borrowing of the Latin word ''ecclesia'', meaning church. The melody appears in the '''Bodleian Manuscript''' (in the Bodleian Library, Oxford), inscribed "A Collection of the Newest Country Dances Performed in Scotland written at Edinburgh by D.A. Young, W.M. 1740." Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the ''Rant'' was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody. | ||
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Revision as of 12:36, 6 May 2019
Back to Eccles's Rant
ECCLES'S RANT. Scottish, Rant (cut time). D Mixolydian. Standard tuning. AABB. The name Eccles is a Brittonic borrowing of the Latin word ecclesia, meaning church. The melody appears in the Bodleian Manuscript (in the Bodleian Library, Oxford), inscribed "A Collection of the Newest Country Dances Performed in Scotland written at Edinburgh by D.A. Young, W.M. 1740." Anne Gilchrist ["Old Fiddlers' Tune Books of the Georgian Period", JEFDSS, vol. 4, No. 1, Dec. 1940, p. 18] noted that, in her experience, the Rant was a name rather loosely applied of various lively dance-tunes, but properly seemed to her to have belonged to a quick 2/4 time melody.
Source for notated version:
Printed sources:
Recorded sources: