Annotation:Fiddling After One Hundred: Difference between revisions
Alan Snyder (talk | contribs) (Fix citation) |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
'''Back to [[{{BASEPAGENAME}}]]''' | '''Back to [[{{BASEPAGENAME}}]]''' | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''FIDDLING AFTER ONE-HUNDRED'''. Canadian, Strathspey. Canada, Cape Breton. A Mixolydian. Standard tuning (fiddle). AA'BB. A traditional pipe tune, learned by Robert Stubbert from the elderly "down North" musician John Rory Fraser and passed on to his daughter, Brenda Stubbert, who chorded for them on piano when she was age seven (Cranford). The tune name was coined by Paul Cranford. The first part of the tune is similar to the 18th century Irish country dance tune "[[Bonny Ladd and Bonny Lass (The)]]," which itself may be of Scots origin. | '''FIDDLING AFTER ONE-HUNDRED'''. Canadian, Strathspey. Canada, Cape Breton. A Mixolydian. Standard tuning (fiddle). AA'BB. A traditional pipe tune, learned by Robert Stubbert from the elderly "down North" musician John Rory Fraser and passed on to his daughter, Brenda Stubbert, who chorded for them on piano when she was age seven (Cranford). The tune name was coined by Paul Cranford. The first part of the tune is similar to the 18th century Irish country dance tune "[[Bonny Ladd and Bonny Lass (The)]]," which itself may be of Scots origin. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': fiddler Brenda Stubbert (b. 1959, Point Aconi, Cape Breton, Nova Scotia) [Cranford]. | ''Source for notated version'': fiddler Brenda Stubbert (b. 1959, Point Aconi, Cape Breton, Nova Scotia) [Cranford]. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': | ''Printed sources'': | ||
Cranford ('''Brenda Stubbert's Collection of Fiddle Tunes'''), 1994; No. 20, p. 8. | Cranford ('''Brenda Stubbert's Collection of Fiddle Tunes'''), 1994; No. 20, p. 8. | ||
| Line 17: | Line 17: | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': | ''Recorded sources'': | ||
<font color=teal> | <font color=teal> | ||
Latest revision as of 12:38, 6 May 2019
Back to Fiddling After One Hundred
FIDDLING AFTER ONE-HUNDRED. Canadian, Strathspey. Canada, Cape Breton. A Mixolydian. Standard tuning (fiddle). AA'BB. A traditional pipe tune, learned by Robert Stubbert from the elderly "down North" musician John Rory Fraser and passed on to his daughter, Brenda Stubbert, who chorded for them on piano when she was age seven (Cranford). The tune name was coined by Paul Cranford. The first part of the tune is similar to the 18th century Irish country dance tune "Bonny Ladd and Bonny Lass (The)," which itself may be of Scots origin.
Source for notated version: fiddler Brenda Stubbert (b. 1959, Point Aconi, Cape Breton, Nova Scotia) [Cranford].
Printed sources:
Cranford (Brenda Stubbert's Collection of Fiddle Tunes), 1994; No. 20, p. 8.
Recorded sources:
Brenda Stubbert – "House Sessions" (1992. Appears as "Traditional Strathspey").
See also listing at:
Alan Snyder's Cape Breton Fiddle Recordings Index [1]
Back to Fiddling After One Hundred