Annotation:Hell Broke Loose in Georgia (2): Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''HELL BROKE LOOSE IN GEORGIA [2?]'''. American, Reel. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) identifies this tune as a composite with an 'A' part from British Isles tradition, attached to a 'B' part newly composed. The 'A' part appears to be the Scottish "[[My Ain Kind Dearie]]," which can be traced to the 1760's; the tune is also known as "[[Christmas Eve (1)]]," and the march sets "[[Our President]]," "[[Here's a health to our leader]]," and "[[Fearless Boys (The)]]" {Bayard also links these tunes to "[[Oh! Lassie Art Thou Sleeping Yet]]," and suggests they are all part of a "moderate sized tune family of perhaps some respectable antiquity" i.e. they are descended from some unknown original single air}.  
'''HELL BROKE LOOSE IN GEORGIA [2?]'''. American, Reel. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) identifies this tune as a composite with an 'A' part from British Isles tradition, attached to a 'B' part newly composed. The 'A' part appears to be the Scottish "[[My Ain Kind Dearie]]," which can be traced to the 1760's; the tune is also known as "[[Christmas Eve (1)]]," and the march sets "[[Our President]]," "[[Here's a health to our leader]]," and "[[Fearless Boys (The)]]" {Bayard also links these tunes to "[[Oh! Lassie Art Thou Sleeping Yet]]," and suggests they are all part of a "moderate sized tune family of perhaps some respectable antiquity" i.e. they are descended from some unknown original single air}.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'': Abraham Gray (Westmoreland County, Pa., 1930's) [Bayard].  
''Source for notated version'': Abraham Gray (Westmoreland County, Pa., 1930's) [Bayard].  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 106, p. 61.
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 106, p. 61.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>

Revision as of 13:23, 6 May 2019

Back to Hell Broke Loose in Georgia (2)


HELL BROKE LOOSE IN GEORGIA [2?]. American, Reel. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) identifies this tune as a composite with an 'A' part from British Isles tradition, attached to a 'B' part newly composed. The 'A' part appears to be the Scottish "My Ain Kind Dearie," which can be traced to the 1760's; the tune is also known as "Christmas Eve (1)," and the march sets "Our President," "Here's a health to our leader," and "Fearless Boys (The)" {Bayard also links these tunes to "Oh! Lassie Art Thou Sleeping Yet," and suggests they are all part of a "moderate sized tune family of perhaps some respectable antiquity" i.e. they are descended from some unknown original single air}.

Source for notated version: Abraham Gray (Westmoreland County, Pa., 1930's) [Bayard].

Printed sources: Bayard (Dance to the Fiddle), 1981; No. 106, p. 61.

Recorded sources:




Back to Hell Broke Loose in Georgia (2)