Annotation:Maids of Selma: Difference between revisions

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'''MAIDS OF SELMA, THE.''' Irish, Jig. G Major. Standard tuning (fiddle). AABB. The tune is Keane's arrangement of a set dance found in one of Frank Roche's early 20th century collections.  
'''MAIDS OF SELMA, THE.''' Irish, Jig. G Major. Standard tuning (fiddle). AABB. The tune is Keane's arrangement of a set dance found in one of Frank Roche's early 20th century collections.  
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''Source for notated version'': Chicago musician Jimmy Keane [Black].
''Source for notated version'': Chicago musician Jimmy Keane [Black].
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''Printed sources'': Black ('''Music's the Very Best Thing'''), 1996; No. 259, p. 139.  
''Printed sources'': Black ('''Music's the Very Best Thing'''), 1996; No. 259, p. 139.  
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''Recorded sources'': <font color=teal>Jimmy Keane (et al) - "The Big Squeeze."</font>
''Recorded sources'': <font color=teal>Jimmy Keane (et al) - "The Big Squeeze."</font>
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Latest revision as of 14:19, 6 May 2019

Back to Maids of Selma


MAIDS OF SELMA, THE. Irish, Jig. G Major. Standard tuning (fiddle). AABB. The tune is Keane's arrangement of a set dance found in one of Frank Roche's early 20th century collections.

Source for notated version: Chicago musician Jimmy Keane [Black].

Printed sources: Black (Music's the Very Best Thing), 1996; No. 259, p. 139.

Recorded sources: Jimmy Keane (et al) - "The Big Squeeze."




Back to Maids of Selma