Annotation:Miss Campbell's Jig: Difference between revisions
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'''MISS CAMPBELL'S JIG.''' Scottish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. The melody was also entered into the c. 1780-1804 music manuscript collection of John Fife, a fiddler or fifer perhaps from Perthshire who may also have made entries at sea (there are references to battles in the Caribbean and Mediterranean Seas). It is also contained in the large 1840 music manuscript collection of multi-instrumentalist John Rook, of Waverton, near Wigton, Cumbria. | '''MISS CAMPBELL'S JIG.''' Scottish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. The melody was also entered into the c. 1780-1804 music manuscript collection of John Fife, a fiddler or fifer perhaps from Perthshire who may also have made entries at sea (there are references to battles in the Caribbean and Mediterranean Seas). It is also contained in the large 1840 music manuscript collection of multi-instrumentalist John Rook, of Waverton, near Wigton, Cumbria. | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Aird ('''– Selection of Scotch, English, Irish and Foreign Airs, vol. 5'''), Glasgow, 1797; No. 106, p. 40. | ''Printed sources'': Aird ('''– Selection of Scotch, English, Irish and Foreign Airs, vol. 5'''), Glasgow, 1797; No. 106, p. 40. | ||
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Latest revision as of 14:22, 6 May 2019
Back to Miss Campbell's Jig
MISS CAMPBELL'S JIG. Scottish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. The melody was also entered into the c. 1780-1804 music manuscript collection of John Fife, a fiddler or fifer perhaps from Perthshire who may also have made entries at sea (there are references to battles in the Caribbean and Mediterranean Seas). It is also contained in the large 1840 music manuscript collection of multi-instrumentalist John Rook, of Waverton, near Wigton, Cumbria.
Source for notated version:
Printed sources: Aird (– Selection of Scotch, English, Irish and Foreign Airs, vol. 5), Glasgow, 1797; No. 106, p. 40.
Recorded sources: