Annotation:New Allemand (1) (The): Difference between revisions
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'''NEW ALLEMAND [1], THE.''' English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AABB. One of several different period "New Allemands." This particular tune was also entered into the 1780-1804 music manuscript collection of fife player John Fife as "The New Allimand, Quick Step" indicating his use of it as a march. Fife was perhaps from Perthshire, although there are references to battles in the Caribbean and the Mediterranean seas, so he was also perhaps aboard ship. | '''NEW ALLEMAND [1], THE.''' English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AABB. One of several different period "New Allemands." This particular tune was also entered into the 1780-1804 music manuscript collection of fife player John Fife as "The New Allimand, Quick Step" indicating his use of it as a march. Fife was perhaps from Perthshire, although there are references to battles in the Caribbean and the Mediterranean seas, so he was also perhaps aboard ship. | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Samuel, Ann & Peter Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 5'''), London, 1788; No. 191, p. 95. | ''Printed sources'': Samuel, Ann & Peter Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 5'''), London, 1788; No. 191, p. 95. | ||
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Revision as of 14:28, 6 May 2019
Back to New Allemand (1) (The)
NEW ALLEMAND [1], THE. English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AABB. One of several different period "New Allemands." This particular tune was also entered into the 1780-1804 music manuscript collection of fife player John Fife as "The New Allimand, Quick Step" indicating his use of it as a march. Fife was perhaps from Perthshire, although there are references to battles in the Caribbean and the Mediterranean seas, so he was also perhaps aboard ship.
Source for notated version:
Printed sources: Samuel, Ann & Peter Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 5), London, 1788; No. 191, p. 95.
Recorded sources: