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'''REVIEW [1], THE.''' English, Reel (cut time). G Major. Standard tuning (fiddle). AABBCC. The melody was printed in London by publisher John Johnson in his '''Two Hundred Favourite Country Dances, vol. 7''' (1756) and in '''Bride's Favorite Collection'''. A distanced version was included by Northumbrian musician William Vickers' in his 1770 music manuscript collection [http://www.farnearchive.com/detail.asp?id=R0306901]. | '''REVIEW [1], THE.''' English, Reel (cut time). G Major. Standard tuning (fiddle). AABBCC. The melody was printed in London by publisher John Johnson in his '''Two Hundred Favourite Country Dances, vol. 7''' (1756) and in '''Bride's Favorite Collection'''. A distanced version was included by Northumbrian musician William Vickers' in his 1770 music manuscript collection [http://www.farnearchive.com/detail.asp?id=R0306901]. | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': John Johnson ('''Two Hundred Favourite Country Dances, vol. 7'''), 1756; p. 84. Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 257. | ''Printed sources'': John Johnson ('''Two Hundred Favourite Country Dances, vol. 7'''), 1756; p. 84. Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 257. | ||
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Latest revision as of 14:39, 6 May 2019
Back to Review (1) (The)
REVIEW [1], THE. English, Reel (cut time). G Major. Standard tuning (fiddle). AABBCC. The melody was printed in London by publisher John Johnson in his Two Hundred Favourite Country Dances, vol. 7 (1756) and in Bride's Favorite Collection. A distanced version was included by Northumbrian musician William Vickers' in his 1770 music manuscript collection [1].
Source for notated version:
Printed sources: John Johnson (Two Hundred Favourite Country Dances, vol. 7), 1756; p. 84. Seattle (Great Northern/William Vickers), 1987, Part 2; No. 257.
Recorded sources: