Annotation:Allurement of Love (The): Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| Line 1: | Line 1: | ||
__NOABC__ | __NOABC__ | ||
<div class="noprint"> | <div class="noprint"> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | ||
</div> | </div> | ||
---- | ---- | ||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
| Line 14: | Line 14: | ||
</font></p> | </font></p> | ||
<div class="noprint"> | <div class="noprint"> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> '''Additional notes''' </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - Edward Jones ('''Musical and Poetical Relicks of the Welsh Bards'''), 1784; p. 135.<br> | <font color=red>''Printed sources''</font> : - Edward Jones ('''Musical and Poetical Relicks of the Welsh Bards'''), 1784; p. 135.<br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
</font></p> | </font></p> | ||
<br> | <br> | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | ||
</div> | </div> | ||
__NOEDITSECTION__ | __NOEDITSECTION__ | ||
__NOTITLE__ | __NOTITLE__ | ||
Revision as of 18:51, 6 May 2019
X:1 T:Serch Hudol T:Allurement of Love, The M:C L:1/8 R:Air Q:"Pathetic" B:Edward Jones – Musical and Poetical Relicks of the Welsh Bards (1784, p. 135) Z:AK/Fiddler’s Companion K:F f2 F/A/c/f/ [E3G3c3e3]z|d2 D/F/B/d/ [C3F3A3c3]z|(d>^c)de fdag|fe/d/ ~e>d d2de| [F2A2c2f2] fe dcBA|GB/A/ GF EGcE|FAdc BAGF|E>F TG2 {FG}F3z:| |:Ac/A/ FG (A3A)|(d>f)ed (^ce)ac|(df)ad (eA)ag|fe/d/ fe 2 de| f/F/A/c/ fe dcBA|G/A/B/A/ GF (EG)cE|(FA)dc (BAGF)|(E>F) TG2 {FG}F4!fermata!:|
ALLUREMENT OF LOVE, THE (Serch Hudol). AKA and see “Draw Cupid Draw.” Welsh, Air (whole time). F Major. Standard tuning (fiddle). AABB. A harper’s air from Edward Jones’ Relicks (1794) and in his Cambro-British Melodies (1820). The air previously appeared in Pills to Purge Melancholy (vol. V) under the title “A Song. Set by Mr. Motley” (pp. 305-306), which begins: “Draw Cupid draw and make fai Sylvia know, The mighty Pain her suffering Swain does for her undergo" (for which see "Draw Cupid Draw"). The song was set by classical composer Joseph Haydn as one of his Welsh songs for publisher George Thomson (1757-1781), although the text was by Thomson's friend, Scottish poet Robert Burns ("To thee, lov'd Dee, thy gladsome vales").