Annotation:Big Pat: Difference between revisions
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<p><font face=" | <p><font face="sans-serif" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - Francis O'Neill learned the tune from an accomplished West Clare flute player (and Chicago police patrolman) named Patrick "Big Pat" O'Mahony, a man of prodigious physique of whom he said: "the 'swing' of his execution was perfect, but instead of 'beating time' with his foot on the floor like most musicians he was never so much at ease as when seated in a chair tilted back against a wall, while both feet swung rhythmically like a double pendulum" [O'Neill, '''Irish Folk Music''']. "Big Pat" was the source for several tunes in the O'Neill, including "[[Out on the Ocean]]," "[[Fisherman's Widow (The)]]" (AKA "[[Rambling Pitchfork (The)]]"), and the hornpipe "[[Bantry Bay Hornpipe (1)]]." | <font color=red>''Source for notated version''</font>: - Francis O'Neill learned the tune from an accomplished West Clare flute player (and Chicago police patrolman) named Patrick "Big Pat" O'Mahony, a man of prodigious physique of whom he said: "the 'swing' of his execution was perfect, but instead of 'beating time' with his foot on the floor like most musicians he was never so much at ease as when seated in a chair tilted back against a wall, while both feet swung rhythmically like a double pendulum" [O'Neill, '''Irish Folk Music''']. "Big Pat" was the source for several tunes in the O'Neill, including "[[Out on the Ocean]]," "[[Fisherman's Widow (The)]]" (AKA "[[Rambling Pitchfork (The)]]"), and the hornpipe "[[Bantry Bay Hornpipe (1)]]." | ||
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<font color=red>''Printed sources''</font> : - O'Neill (Krassen), 1976; p. 94. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1979; No. 1192, p. 225. Tolman ('''Nelson Music Collection'''), 1969; p. 16 (appears as "Big Pat," a hornpipe). | <font color=red>''Printed sources''</font> : - O'Neill (Krassen), 1976; p. 94. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1979; No. 1192, p. 225. Tolman ('''Nelson Music Collection'''), 1969; p. 16 (appears as "Big Pat," a hornpipe). | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Revision as of 19:52, 6 May 2019
X:1 T:Big Pat's M:C L:1/8 R:Hornpipe K:Bm ag|fdBc d2 fd|d2 fd ce A2|fdBc d2 fa|d'2 c'd' b2 ag| fdBc d2 fd|d2 fd ce A2|fdBc defa|bd'c'd' b2:| |:Bc|dcde fded|ceed cA A2|BABc d2 cB |AFEG FB, B,z| BAFA BABc|d2 fd cA A2|{fg}a2 af g2 ge|fdec d2:||
BIG PAT'S (DANDY) REEL. AKA and see "Dublin Reel (2) (The)," "Tie the Ribbons," "Trim the Bonnet," "Jimmy the Creelmaker," "Murtough Molloy," "Salamanca (3)," "Pigeon House (The)," "Dandy Reel (2) (The)," "Hills of Clady (The)," "Clady Reel (The)," "O'Connell's Trip to Parliament (2)." Irish, Reel; New England, Hornpipe. E Minor (O'Neill): B Minor (Tolman). Standard tuning (fiddle). AB (O'Neill/1850): AABB' (O'Neill/Krassen): AABB (Tolman).