Annotation:Cabri Waltz: Difference between revisions
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<p><font face=" | <p><font face="sans-serif" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
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<font color=red>''Printed sources''</font> : - Brody ('''Fiddler's Fakebook'''), 1983; p. 60. Matthiesen ('''Waltz Book I'''), 1992; p. 19. | <font color=red>''Printed sources''</font> : - Brody ('''Fiddler's Fakebook'''), 1983; p. 60. Matthiesen ('''Waltz Book I'''), 1992; p. 19. | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> -Front Hall 01, Bill Spence - "The Hammered Dulcimer." Vermont Performing Arts League - "A Vermont Sampler." Voyager 306-S, Joe Pancerzewski- "The Fiddling Engineer." Voyager VRCD 366, Pete McMahan - "50 Old-Time Fiddle Gems" (2nd disc).</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Front Hall 01, Bill Spence - "The Hammered Dulcimer." Vermont Performing Arts League - "A Vermont Sampler." Voyager 306-S, Joe Pancerzewski- "The Fiddling Engineer." Voyager VRCD 366, Pete McMahan - "50 Old-Time Fiddle Gems" (2nd disc).</font> | ||
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See also listing at:<br> | See also listing at:<br> | ||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/c01.htm#Cabwa]<br> | Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/c01.htm#Cabwa]<br> | ||
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Revision as of 18:55, 6 May 2019
X:1 T:Cabri Waltz M:3/4 L:1/8 R:Waltz K:G zB,A,B, | "G"G,2B,3D | "G7"D3D (3B,A,G, | "C"C2E3G | "C#dim"E3G FE | "D"D>E F>G A>B | "D7"(3c>dc B2A2 | "C" G3 A G>E | "D"D4 (3B,A,B, | "G"G,2B,3D | "G7"D4 (3DB,G, | "C"C2E3G | "A"E3G FE | "D"D>E F>G A>B | "D7"c2B2A2 | "G"G2 G>A "C"G>F | "G"G3A Bd || g4 (3gag | "D"f4 Ac | "C"e2 e>g ed | "G"B4 (3Bc^c | "D7"d3e d=c | A3D FA | "G"G3A "C"A>G | "G" G4 ||
CABRI WALTZ. AKA - "Capri Waltz." Canadian, American; Waltz. G Major. Standard tuning (fiddle). AB (Matthiesen): AA'BB' (Brody). The tune is sourced to North Dakota fiddler Joe Pancerzewski (1905-1991), who said he heard it when he was eight years old (c. 1913). It was named after a small town in Saskatchewan, and was brought to Pacerzewski's region from Canada by Bill Smith. The waltz was popular at New England and Northern contra dances for many years, popularized by the Albany, N.Y., based band Fennig's All Stars.