Annotation:Corgarff Castle (1): Difference between revisions
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== Additional notes == | == Additional notes == | ||
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<font color=red>''Source for notated version''</font>: - Winston Fitzgerald (1914-1987, Cape Breton) [Cranford]. | <font color=red>''Source for notated version''</font>: - Winston Fitzgerald (1914-1987, Cape Breton) [Cranford]. | ||
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<font color=red>''Printed sources''</font> : - Cranford ('''Winston Fitzgerald'''), 1997; No. 228, p. 91. Skinner ('''The Scottish Violinist'''), 1900; p. 39 (includes variation sets). | <font color=red>''Printed sources''</font> : - Cranford ('''Winston Fitzgerald'''), 1997; No. 228, p. 91. Skinner ('''The Scottish Violinist'''), 1900; p. 39 (includes variation sets). | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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See also listing at:<br> | See also listing at:<br> | ||
Alan Snyder's Cape Breton Fiddle Index [http://www.cbfiddle.com/rx/tune/t75.html]<br> | Alan Snyder's Cape Breton Fiddle Index [http://www.cbfiddle.com/rx/tune/t75.html]<br> | ||
Revision as of 18:59, 6 May 2019
X: 1 % T: Corgarff Castle [1] C: J.S.Skinner R: Pastoral N: Skinner SV p.39 Z: John Chambers <jc@trillian.mit.edu> M: C L: 1/8 K: Gm | "Gm"{D=E^F}[G2G,2] DG B,D G,G | "F"{=E}F2 CF A,F {=B}AF \ | "Gm"{^F}G2 DG B,D G,e | "D7"({e}dc/B/) (AB/c/) "Gm"{c}BG G2 | | "Gm"{D=E^F}G2 DG B,D G,G | "F"{=E}F2 CF A,/C/F/A/ {=B}cA \ | "Gm"{^F}G2 DG B,D G,e | "D7"({e}dc/B/) (AB/c/) "Gm"{c}BG G || {^f}g \ | "Gm"(ba/g/) dg Bd Gg | "F"(ag/f/) cf Ac Ff \ | "Gm"(ba/g/) dg Bd Ge | "D7"({e}dc/B/) (Ad) "Gm"(DG) Gg | | "Gm"(ba/g/) dg Bg G,b | "F"(ag/f/) cf Ac Ff \ | "Gm"(b/a/g/b/) "D7"(a/g/^f/a/) "Gm"g/d/B/G/ D/B,/G,/B,/ | "D7"A,E (D/C/)B,/A,/ "Gm"B,G, G,2 |]
CORGARFF CASTLE [1]. Scottish, Slow March or "Pastoral Air" (4/4 time). G Minor. Standard tuning (fiddle). AB (Skinner): AAB plus variations by Skinner CCD (Cranford). Composed by the great Scottish fiddler and composer J. Scott Skinner (1843-1927). According to Paul Cranford (1997), the tune was a favorite of the late Cape Breton fiddler Dan Hughie MacEachern. "Amongst the last generation of Cape Breton fiddlers Dan Hughie was not only one the the finest composers, he also had one of the largest repertoires of traditional tunes."