Annotation:Cotillon de Baie-Ste-Catherine: Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
| Line 16: | Line 16: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - fiddler Harry Poitras (b. 1890, Baie-Ste-Catherine), via dance ethnographer Simonne Voyer who collected both in Baie-Ste-Catherine in 1955 [Hart & Sandall]. | <font color=red>''Source for notated version''</font>: - fiddler Harry Poitras (b. 1890, Baie-Ste-Catherine), via dance ethnographer Simonne Voyer who collected both in Baie-Ste-Catherine in 1955 [Hart & Sandall]. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - Hart & Sandall ('''Dance ce Soir'''), 2000; No. 73, p. 108. | <font color=red>''Printed sources''</font> : - Hart & Sandall ('''Dance ce Soir'''), 2000; No. 73, p. 108. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - Lisa Ornstein - "Danseries de la belle province" (1984). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Lisa Ornstein - "Danseries de la belle province" (1984). </font> | ||
</font></p> | </font></p> | ||
Revision as of 18:59, 6 May 2019
X:1 T:Cotillon de Baie-Ste-Catherine S:Stéphanie Lépine, via Lisa Ornstein M:4/4 L:1/8 K:G G3A|:B3 B2B GB|dedB cdcB|AGFG AAFA|d2 dc BAGA| B3 B2B GB|dedB cdcB|AGFG AAFA|1 d2F2G2A2:|2 d2 F2 G3c|| dcBc d2g2|d2g2d2g2|(3BcB AB cBAB|c2a2c2a2|c2a2 (3cdc Bc| dcBc d2g2|d2g2d2g2|(3BcB AB cBAB|c2a2c2a2|a2a2 c2 Bc| dcBc d2g2|d2g2d2g2|(3BcB AB cBAB|c2 a2 g2 f2|g2g2||
COTILLON DE BAIE-STE-CATHERINE. AKA - "Le Set," "Set de Harry Poitras (Le)." French-Canadian, Reel. E Minor. Standard tuning (fiddle). AA'BBC. An irregular tune in both parts. The tiny hamlet of Baie-Ste-Catherine (pop. 260) sits alongside the Saguenay River's estuary; across the Saguenay is Tadoussac, known as "the Cradle of New France" and the oldest settlement in North America outside of Florida. It was home to Harry Poitras, the source for the tune.