Annotation:Kinloch of Kinloch (4): Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "Century Gothic" to "sans-serif")
Line 1: Line 1:
__NOABC__
__NOABC__
<div class="noprint">
<div class="noprint">
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
<p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
</div>
----
----
Line 7: Line 7:
----
----
<div style="page-break-before:always"></div>
<div style="page-break-before:always"></div>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<br>
<br>
Line 15: Line 15:
</font></p>
</font></p>
<div class="noprint">
<div class="noprint">
<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
<p><font face="sans-serif" size="2"> '''Additional notes''' </font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Source for notated version''</font>: -  
<font color=red>''Source for notated version''</font>: -  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Printed sources''</font> : -  
<font color=red>''Printed sources''</font> : -  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
</font></p>
</font></p>
<br>
<br>
----
----
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
<p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
</div>
__NOEDITSECTION__
__NOEDITSECTION__
__NOTITLE__
__NOTITLE__

Revision as of 19:04, 6 May 2019


X:0 T: No Score C: The Traditional Tune Archive M: K: x



KINLOCH OF KINLOCH [4]. AKA and see: "I’m married and can’t come," "Marquis of Granby (The)," "Miss Cambilina’s Delight," "Miss Kezia’s Wish," "Nolan the Soldier," "Over the Water," "Over the Water to Charlie," "Pott Stick (The)," "Seán Buí," "Seán Buidhe,” "Shamboy"/"Shambuy," "Wishaw’s Delight," "Yellow John (1)." Irish, Scottish; Jig and Air (6/8 time). Communication from An tAthair Seán Ó Coinn (05/2014): "This is the air of which Breandán Breathnach, when discussing tunes borrowed by the Munster poets of the eighteenth century to which they penned their verses, says (Folk Music and Dance of Ireland, Cork, 1971, p. 32): “Seán Buí, the Scots Over the Water to Charlie, which is still played as a jig, was a particular favourite, and at least fifteen songs were written to it.” He doesn’t list any of the fifteen plus songs, but the following ten songs, not necessarily by Munster poets, are set to the air: “Seán Buidhe” by Eibhlín Ní Chaoilte, “A’ taisteal na sléibhte dham” by Eoghan Rua Ó Súilleabháin, “Teacht na nGéana Fiadhaine” by Seághan Ua Cuinneagáin , “Come boat me o’er the water to Charlie”, Kane O’Hara’s “Think not, lewd Jove”, “The Boys of the Irish Brigade, O”, “My loyal heart is light and free”, “Ye lads of true spirit, pay courtship to claret”, “The morning we’re married, how funny how jolly”, “Ye great of my country, how long will ye slumber?”. (The main sources for that list are Aloys Fleischmann and An tAthair Pádruig Breathnach.) An alternate Scots title is "Over the Water to Charlie," a reference to the Jacobite Bonnie Prince Charlie."

Additional notes

Source for notated version: -

Printed sources : -

Recorded sources: -



Back to Kinloch of Kinloch (4)