Annotation:Rivière-du-Loup (La): Difference between revisions
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== Additional notes == | == Additional notes == | ||
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<font color=red>''Source for notated version''</font>: - Fortunat Malouin (Saint-Sauveur, Québec) [Joyal]. | <font color=red>''Source for notated version''</font>: - Fortunat Malouin (Saint-Sauveur, Québec) [Joyal]. | ||
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<font color=red>''Printed sources''</font> : - Joyal ('''Danses d'ici: Musique Traditionnelle du Québec'''), 1994; pp. 69 & 116. | <font color=red>''Printed sources''</font> : - Joyal ('''Danses d'ici: Musique Traditionnelle du Québec'''), 1994; pp. 69 & 116. | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - Columbia 34149-F (78 RPM), Fortunat Malouin (1928). Folkways Records RBF 114, Gabriel Labbé (harmonica) with Philippe Bruneau (piano) - "Masters of French Canadian Music 3" (1980). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Columbia 34149-F (78 RPM), Fortunat Malouin (1928). Folkways Records RBF 114, Gabriel Labbé (harmonica) with Philippe Bruneau (piano) - "Masters of French Canadian Music 3" (1980). </font> | ||
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Revision as of 19:08, 6 May 2019
X:1 T:Rivière-du-Loup, La C:Fortunat Malouin M:2/4 L:1/8 R:Reel K:D a/|f/d/c/d/ B/d/A/f/|g/e/f/d/ c/d/e/a/|f/d/c/d/ B/d/A/f/|g/e/e/a/ f/d/d/a/|...
RIVIÈRE-DU-LOUP, LA. French-Canadian, Reel. D Major. Standard tuning (fiddle). ABB'. Rivière-du-Loup [1] is a town located on the east bank of the St. Lawrence river, above Quebec City. The tune was one of ten sides recorded by fiddler Fortunat Malouin (1870-1935) for Columbia records in New York in 1928, accompanied by his daughter on piano. He also recorded some sides for the Starr label in Montreal. Originally from St-Sauveur, Quebec, he learned music from his mother. As an adult Malouin was a traveling salesman based in Quebec City. There is a record of a Canadian patent for a milk-pail and strainer combination [2] devised by a Fortunat Malouin of Quebec, Canada, and it is possible the inventor and fiddler were the same person.
Malouin had an improvisatory style, varying his melody lines and inventing new tunes on the spot. Fiddler Jos Bouchard () popularized some of his compositions in the 1940s.