Annotation:Russian Dance (2) (A): Difference between revisions

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== Additional notes ==
== Additional notes ==
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<font color=red>''Source for notated version''</font>: - a c. 1837-1840 MS by Shropshire musician John Moore [Ashman]; an MS collection by fiddler Lawrence Leadley, 1827-1897 (Helperby, Yorkshire) [Merryweather & Seattle].  
<font color=red>''Source for notated version''</font>: - a c. 1837-1840 MS by Shropshire musician John Moore [Ashman]; an MS collection by fiddler Lawrence Leadley, 1827-1897 (Helperby, Yorkshire) [Merryweather & Seattle].  
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<font color=red>''Printed sources''</font> : - Ashman ('''The Ironbridge Hornpipe'''), 1991; No. 103b1, p. 42. Merryweather & Seattle ('''The Fiddler of Helperby'''), 1994; No. 100, p. 55. Wilson ('''A Companion to the Ball Room'''), 1816; p. 119.
<font color=red>''Printed sources''</font> : - Ashman ('''The Ironbridge Hornpipe'''), 1991; No. 103b1, p. 42. Merryweather & Seattle ('''The Fiddler of Helperby'''), 1994; No. 100, p. 55. Wilson ('''A Companion to the Ball Room'''), 1816; p. 119.
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<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
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Revision as of 21:00, 6 May 2019


X:1 T:Russian Dance [2] M:2/4 L:1/8 B:William Cahusac – The German Flute Preceptor (c. 1814, p. 20) Z:AK/Fiddler’s Companion K:D (A/d/)|f(A/d/) f(A/d/)|(g/a/)(f/g/) e(A/c/) | e(A/c/) e(d/e/)|(f/g/)(e/f/) d:| (a/g/)|f(f/e/) d(d'/c'/)|(b/^a/)(b/a/) (b/=a/)(g/f/)|(e/f/)(d/e/) (c/e/)(a/c/)|{e}(d/c/)(c/d/) d:|]



RUSSIAN DANCE [2], A. AKA and see “Bang It Up,” “Coco Bram,” "Opera Hat (The)." English, Country Dance Tune (2/4 time). England; Shropshire, Yorkshire. C Major. Standard tuning (fiddle). AABB.

Additional notes

Source for notated version: - a c. 1837-1840 MS by Shropshire musician John Moore [Ashman]; an MS collection by fiddler Lawrence Leadley, 1827-1897 (Helperby, Yorkshire) [Merryweather & Seattle].

Printed sources : - Ashman (The Ironbridge Hornpipe), 1991; No. 103b1, p. 42. Merryweather & Seattle (The Fiddler of Helperby), 1994; No. 100, p. 55. Wilson (A Companion to the Ball Room), 1816; p. 119.

Recorded sources: -



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