Annotation:Sally McGee: Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
| Line 16: | Line 16: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - O’Farrell ('''National Irish Music for the Union Pipes'''), 1804; p. 23. | <font color=red>''Printed sources''</font> : - O’Farrell ('''National Irish Music for the Union Pipes'''), 1804; p. 23. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
</font></p> | </font></p> | ||
Revision as of 20:01, 6 May 2019
X:1 T:Sally McGee T:Sally Magee [2] M:6/8 L;1/8 R:Jig S:O’Farrell – National Irish Music for the Union Pipes (1804) Z:AK/Fiddler’s Companion K:Edor AG | EAA AGA | BGG GBd | cdc BAB | GEE E2 :| cd | efe ded/c/ | BGG GBd | efe dec | BGE c2d | efe ded/c/ | BGG GAB | cdc BAB | GEE E2 ||
SALLY McGEE. Irish, Jig (6/8 time). E Dorian. Standard tuning (fiddle). AAB. The first strain is similar to Francis O'Neill's "Sally Magee (1)," albeit in a different mode. Paul de Grae remarks that a setting in County Cork cleric James Goodman's mid-19th century music manuscript "seems like a "folk-processed" version of O'Farrell's tune." Goodman entered two versions in his large multi-volume collections; in vol. 2, p. 172 and vol. 3, p. 121.