Annotation:Never was Piping so Gay: Difference between revisions
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'''NEVER WAS PIPING SO GAY.''' AKA and see "[[Blacksmith’s Anvil (The)]]." Irish, Reel. G Major. Standard tuning (fiddle). AA'BB (Feldman & O'Doherty): AA'BB' (Bégin, Reavy). One of the more popular and enduring compositions of fiddler-composer Ed Reavy [http://irishtunecomposers.weebly.com/ed-reavy.html] (1898-1988), originally from County Cavan, Ireland, who spent much of his life working as a plumber in Corktown, near Philadelphia, Pa. Ed's son Joseph Reavy explains the title comes from the last line of Yeat's poem "The Host of the Air" uttered by O'Driscoll, who awoke from a dream in which he imagined his wife had died while he was peacefully playing cards. All that remained of the dream was the distant sound of a piper - | '''NEVER WAS PIPING SO GAY.''' AKA and see "[[Blacksmith’s Anvil (The)]]." Irish, Reel. G Major. Standard tuning (fiddle). AA'BB (Feldman & O'Doherty): AA'BB' (Bégin, Reavy). One of the more popular and enduring compositions of fiddler-composer Ed Reavy [http://irishtunecomposers.weebly.com/ed-reavy.html] (1898-1988), originally from County Cavan, Ireland, who spent much of his life working as a plumber in Corktown, near Philadelphia, Pa. Ed's son Joseph Reavy explains the title comes from the last line of Yeat's poem "The Host of the Air" uttered by O'Driscoll, who awoke from a dream in which he imagined his wife had died while he was peacefully playing cards. All that remained of the dream was the distant sound of a piper - | ||
[[File:reavy.jpg|200px|thumb|left|Ed Reavy (in uniform) at home]] | [[File:reavy.jpg|200px|thumb|left|Ed Reavy (in uniform) at home]] | ||
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The tune was probably composed in the 1950's, says musician and collector Philippe Varlet. County Galway fiddler-composer Paddy Fahy played a variant of the tune, and it is therefore sometimes called "Fahy's" or "Paddy Fahey's" (as, indeed, are all his tunes) and sometimes mis-attributed to him (see "[[Paddy Fahey's Reel (10)]]". | The tune was probably composed in the 1950's, says musician and collector Philippe Varlet. County Galway fiddler-composer Paddy Fahy played a variant of the tune, and it is therefore sometimes called "Fahy's" or "Paddy Fahey's" (as, indeed, are all his tunes) and sometimes mis-attributed to him (see "[[Paddy Fahey's Reel (10)]]". | ||
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''Sources for notated versions'': Francie and Mickey Byrne (County Donegal) [Feldman & O'Doherty]; Dawson Girdwood (Perth, Ottawa Valley, Ontario) [Bégin]. | <div class="noprint"> | ||
<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p> | |||
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<font color=red>''Sources for notated versions''</font>: - Francie and Mickey Byrne (County Donegal) [Feldman & O'Doherty]; Dawson Girdwood (Perth, Ottawa Valley, Ontario) [Bégin]. | |||
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''Printed sources'': Bégin ('''Fiddle Music in the Ottawa Valley: Dawson Girdwood'''), 1985; No. 7, p. 21 (appears as "Ravey's Reel"). Feldman & O'Doherty ('''The Northern Fiddler'''), 1979; p. 171 (appears as 1st half of "Untitled Reel"--the 2nd half of the piece is another Reavy composition, "[[Maudabawn Chapel]]"). Reavy ('''The Collected Compositions of Ed Reavy'''), No. 3, p. 3. | <font color=red>''Printed sources''</font> : - Bégin ('''Fiddle Music in the Ottawa Valley: Dawson Girdwood'''), 1985; No. 7, p. 21 (appears as "Ravey's Reel"). Feldman & O'Doherty ('''The Northern Fiddler'''), 1979; p. 171 (appears as 1st half of "Untitled Reel"--the 2nd half of the piece is another Reavy composition, "[[Maudabawn Chapel]]"). Reavy ('''The Collected Compositions of Ed Reavy'''), No. 3, p. 3. | ||
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''Recorded sources'': <font color=teal> | <font color=red>''Recorded sources'': </font> <font color=teal> -Smithsonian Folkways SFW CD 40481, Brian Conway - "First Through the Gate" (2002. Learned from New York fiddler Andy McGann). | ||
Smithsonian Folkways SFW CD 40481, Brian Conway - "First Through the Gate" (2002. Learned from New York fiddler Andy McGann). | |||
Stockton's Wing - "Light in the Western Sky" (appears as second reel of "Chicago Set"). | Stockton's Wing - "Light in the Western Sky" (appears as second reel of "Chicago Set"). | ||
Brenda Stubbert - "Music All Around." Jimmy Power - Irish Dances Recording Sessions (1967). | Brenda Stubbert - "Music All Around." Jimmy Power - Irish Dances Recording Sessions (1967). | ||
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See also listing at:<br> | See also listing at:<br> | ||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1402/]<br> | Alan Ng's Irishtune.info [http://www.irishtune.info/tune/1402/]<br> | ||
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Hear the tune on youtube.com [http://www.youtube.com/watch?v=iJ5Oh2tFG78]<br> | Hear the tune on youtube.com [http://www.youtube.com/watch?v=iJ5Oh2tFG78]<br> | ||
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Revision as of 14:28, 13 May 2019
X:3 T:Never Was Piping So Gay M:C L:1/8 R:Reel C:Ed Reavy S:Brian Conway Z:Transcribed by Andrew Kuntz K:G G,2 (B,D) GBdB | caf(d cA)FA | G2 BG DGB,G | AF (3FFF dFAF | G2 BG DGB,G | Aaf(d ^cd)e(f|{a}gf)gd ~c3A |1 FGAF G2 DB, :|2 FGAF G2 || |: Bd | ~g3(d ^cd)BG | DGB(d cA)FA | G(B{c}B)A Bc (3dcB | caf(d ^cd)ef | |1 ~g3(d ^cd)BG | DGB(d cA)FA | B~G3 A(DF)A | d(B{d}cA) GABd :| |2 gb (3agf g(d^c)d | BGDG cAFA | B~G3 A(DF)A | d(B{d}cA) G2 DB, ||
NEVER WAS PIPING SO GAY. AKA and see "Blacksmith’s Anvil (The)." Irish, Reel. G Major. Standard tuning (fiddle). AA'BB (Feldman & O'Doherty): AA'BB' (Bégin, Reavy). One of the more popular and enduring compositions of fiddler-composer Ed Reavy [1] (1898-1988), originally from County Cavan, Ireland, who spent much of his life working as a plumber in Corktown, near Philadelphia, Pa. Ed's son Joseph Reavy explains the title comes from the last line of Yeat's poem "The Host of the Air" uttered by O'Driscoll, who awoke from a dream in which he imagined his wife had died while he was peacefully playing cards. All that remained of the dream was the distant sound of a piper -
But he heard high up in the air
A piper piping away,
And never was piping so sad
And never was piping so gay.
The tune was probably composed in the 1950's, says musician and collector Philippe Varlet. County Galway fiddler-composer Paddy Fahy played a variant of the tune, and it is therefore sometimes called "Fahy's" or "Paddy Fahey's" (as, indeed, are all his tunes) and sometimes mis-attributed to him (see "Paddy Fahey's Reel (10)".
X: 1 T: Paddy Fahy's R: reel M: 4/4 L: 1/8 F: http://thesession.org/tunes/648 K: Gmaj |:G,2 B,D GBdB|c2 ag fgdc|B~G3 BcdB|cBAG FDCA,| |(3G,G,G, B,D GBdB|c2 ag fgdc|B~G3 BcdB|1 cAFA G2 DB,:|2 cAFA G2 Bc| |:dgfa gdBG|FGAB c2 Bc|Aaag a3g|fdad bdad| |(3ggg fa gdBG|FGAB c2 Bc|d~g3 defd|1 cAFA G2 Bc:|2 cAFA G2 DB,|