Annotation:Fiddler's Drunk and the Fun's All Over: Difference between revisions
m (Text replacement - "garamond, serif" to "sans-serif") |
No edit summary |
||
Line 1: | Line 1: | ||
__NOABC__ | |||
<div class="noprint"> | |||
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | |||
</div> | |||
---- | ---- | ||
<p><font face=" | {{#lst:{{PAGENAME}}|abc}} | ||
---- | |||
<div style="page-break-before:always"></div> | |||
<p><font face="Century Gothic" size="2"> | |||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | |||
<br> | |||
'''FIDDLER'S DRUNK AND THE FUN'S ALL OVER'''. AKA and see "[[Billy in the Lowground (1)]]." Old-Time, Breakdown. C Major. Standard tuning (fiddle). Commonly identified as a version of "Billy in the Lowground" from the repertoire of Glen Lyn, Virginia, fiddler Henry Reed. However, if a version of "Billy", then it is quite distanced, with the similarities being the relatively rare key of 'C' and the motion up the 'C' chord starting at the low tonic in the beginning measures. | '''FIDDLER'S DRUNK AND THE FUN'S ALL OVER'''. AKA and see "[[Billy in the Lowground (1)]]." Old-Time, Breakdown. C Major. Standard tuning (fiddle). Commonly identified as a version of "Billy in the Lowground" from the repertoire of Glen Lyn, Virginia, fiddler Henry Reed. However, if a version of "Billy", then it is quite distanced, with the similarities being the relatively rare key of 'C' and the motion up the 'C' chord starting at the low tonic in the beginning measures. | ||
<br> | <br> | ||
< | </div> | ||
</font></p> | </font></p> | ||
<p><font face=" | <div class="noprint"> | ||
''Source for notated version'': Henry Reed (1884-1968, Glen Lyn, Va.) | <p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p> | ||
<p><font face="Century Gothic" size="2"> | |||
<font color=red>''Source for notated version''</font>: - Henry Reed (1884-1968, Glen Lyn, Va.) | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="2"> | ||
''Printed sources'': | <font color=red>''Printed sources''</font> : - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="2"> | ||
''Recorded sources'': <font color=teal>Kanawha 311, Hollow Rock String Band - "Traditional Dance Tunes" (1968).</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Kanawha 311, Hollow Rock String Band - "Traditional Dance Tunes" (1968).</font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="2"> | ||
See listing at:<br> | See listing at:<br> | ||
Lib. of Congress American Memory - Fiddle Tunes of the Old Frontier [http://memory.loc.gov/cgi-bin/query/S?ammem/afcreed:@field(TITLE+@od1(Fiddler's+Drunk+and+the+Fun's+All+Over))]<br> | Lib. of Congress American Memory - Fiddle Tunes of the Old Frontier [http://memory.loc.gov/cgi-bin/query/S?ammem/afcreed:@field(TITLE+@od1(Fiddler's+Drunk+and+the+Fun's+All+Over))]<br> | ||
</font></p> | </font></p> | ||
<br> | <br> | ||
---- | ---- | ||
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | |||
</div> | |||
__NOEDITSECTION__ | |||
__NOTITLE__ |
Revision as of 04:29, 21 May 2019
X:1 T:Fiddler's Drunk and the Fun's all over S:Henry Reed M:C| L:1/8 Z:AK/Fiddler's Companion K:C G,2|C2D2E2G2|c2cd cAGB|A2AG A2(A2|A)cAG AGE2| |C2D2E2G2|c2cd cAGB|A3c AGEG|1 BcdB c3:|2 BcdB c3(e|| |:e3)e e2 (e2|e2)g2 ed c2|A3A A2(A2|A)Bc2 edc2| e3e e2 (e2|e2)g2 ed c2| A2c2 BA G2|1c4 G2ce:||2 (c4 c2)||
FIDDLER'S DRUNK AND THE FUN'S ALL OVER. AKA and see "Billy in the Lowground (1)." Old-Time, Breakdown. C Major. Standard tuning (fiddle). Commonly identified as a version of "Billy in the Lowground" from the repertoire of Glen Lyn, Virginia, fiddler Henry Reed. However, if a version of "Billy", then it is quite distanced, with the similarities being the relatively rare key of 'C' and the motion up the 'C' chord starting at the low tonic in the beginning measures.