Domhnall: Difference between revisions
No edit summary |
m (Text replacement - "=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=" to "[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]") |
||
| Line 15: | Line 15: | ||
|f_theme_code_index=3H3H1H0 7530 | |f_theme_code_index=3H3H1H0 7530 | ||
}} | }} | ||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | ||
---- | ---- | ||
| Line 55: | Line 55: | ||
</pre> | </pre> | ||
---- | ---- | ||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | ||
Revision as of 10:18, 6 June 2019
X:1
%
T:Domhnall
M:C
L:1/8
R:Air
N:”Slow & tenderly”
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 83, p. 42)
Z:AK/Fiddler’s Companion
K:F
"Slow & tenderly"(f>g)|(a2-a/g/f/e/) f2 zc|(ed)(cB) {B}A2 zc|(Ac).f.g (a2 g).f|(f4 {ga}g) z(fg)|
(a2-a/g/f/e/) {g}f2 (c>^c)|(ed)(=cB) {B}A2 z.c|(A<c) (fa) (c'<a) (g>a)|(f2-(3fga) {ag}fz z2||
(c'2 ba) (a<g) (g>b)|(af) (d{ed^cd}c'>b) (a>ba/ g).a|(b3a) (a/g/b/a/ gf)|(f3 ^f g) (=f>{gfef}.g)|
(a2 g>e) (f3c)|(ed c/^c/d/)(B/ {B}A2) zc|(Acfa) (c<a) (g>a)|f2-(3fga {ag}fz||
X:1
T:Domhnall
M:C
L:1/8
R:Air
B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 260, pp. 128-129)
Z:AK/Fiddler’s Companion
K:Eb
"Larghetto"e>(f|g2-g/f/e/d/) e3(B|dcB)A (AG) zB|(GBe>f {ef}g2 f)e|\
L:1/16
(e3f/g/) f2 z2(e3f)|
L:1/8
(g2-g/f/e/d/) (f2 e)(B|dcBA) (AG) zB|(G<B) (eg) (b<g) (f>g|e2) (3efg fez g|
b2 a>g gf (fa|\
L:1/16
G2e2c2a2 g3a/)g/f2 (g2|b4 a2g2 gfag f2)e2|(e3f/g/ =f4) z2 (d3f)|
L:1/8
(g2-g/f/e/d/ f2-e)B|(dcBA A)G zB|(G<B) (eg) (b<g) (f>g |e2) ((3efg fe)||