Killiecrankie (2): Difference between revisions

Revision as of 09:54, 11 June 2019

Killiecrankie (2) Click on the tune title to see or modify Killiecrankie (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Killiecrankie (2) Query the Archive
Theme code Index	5555 5155
Also known as	Battle of Killiecrankie, Battle of Killicrankie, Battle of Kilicrankie, Killycrankie, Planxty Davis, Gilliecrankie
Composer/Core Source
Region	Ireland, Scotland
Genre/Style	Irish, Scottish
Meter/Rhythm	March/Marche, Set Dance
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	2/4
History
Structure	AB, AABB
Editor/Compiler	William McGibbon
Book/Manuscript title	Book:Scots Tunes Book 2
Tune and/or Page number	p. 37
Year of publication/Date of MS	c. 1746
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Killiecrankie (2): Annotations

X: 1
%
T: Gilliecrankie
O: McGibbon (c.1746)
M: C
L: 1/8
Q: "Brisk"
B: McGibbon - Scots Tunes, book II, p.37 (c. 1746)
S: AK/Fiddler's Companion
F: http://www.ibiblio.org/fiddlers/KIC_KISI.htm 2008-2-23
K: D
F/G/ \
| A>dAF (A/F/)(A/d/) AF | (A>Bd)F (A2A)d/c/| B>dBA T(B/A/B/)d/ BA | 
(d/c/d/)e/ (d/e/f/)d/ (B2B)f/a/ | b(a/f/) a(f/e/) f(e/d/) ef | A>BdF A2 Ad/c/| 
BB dd ee Tf>e | d>B (A/B/d/)F/ TE3D :||:(f/g/) | a>baf T(a/g/a/)b/ af | 
(a/g/)T(f/e/) d/e/f/g/ (a2a)f/a/| b>d'ba (b/a/b/)d'/ ba | (b/a/)(g/f/) (e/f/)(g/a/) (b2 b)f/a/ |
| (b/a/f/)b/ (a/f/e/)a/ (f/e/d/)f/ (e/d/)(B/e/) | (d/B/)(A/B/) (d/c/d/)F/ (A2A)d/c/ | 
T(B/A/B/)c/ (d/c/d/)f/ (e/d/e/)g/ Tf>e | (d/B/A/B/) (A/B/d/)F/ TE3D :|

X:1
%
T:Killicrankie [2], with Variations
M:C
L:1/8
B:Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 16)
Z:AK/Fiddler's Companion
K:D
F/G/|A>dA(F A/F/A/d/) AF|(A>Bd)F A2 A(d/c/)|B>dBA T(B/A/B/d/) BA|(d/c/d/e/) (d/e/f/d/) (B2 B)f/a/|
(ba/f/) (af/e/) (fe/d/) ef|A>BdG (A2 A)(d/c/)|.B.B .d.d .e.e Tf>e|d>B A/B/d/F/ E2 D||
(f/g/)|a>baf T(a/g/a/b/) af|(a/g/Tf/e/) (d/e/f/g/) a2 af/a/|b>d'ba (b/a/b/d') ba|
(b/a/g/f/) (e/f/g/a/) (b2 b)(d/a/)|(b/a/f/b/) (a/f/e/a/) (f/e/d/f/) (e/d/B/e/)|
(d/B/)(A/B/) (d/c/d/)(F/ A2) Ad/c/|T(B/A/B/c/) (d/c/d/f/) (e/d/e/g/) Tf>e|
(d/B/A/B/) (A/B/d/F/) TE2 D:|FG|A3B AF d2|AF d2 AF d2|DEFG AFdF|(A4 A2) dc|
BdAd BdAd|BdAd BdAB|dfeg fedc|(B4 B2) fa|b2 af AF E2|
af e2 FE D2|fedB ABdF|(A4 A2) dc|BBgB ccac|ddba gfed|
cBAc dABF|TE4 D2::fg|{a}f4 {a}f4|afaf afaf|defg afbf|
(a4 a2)fa|{c'}b4 {c'}b4|d'bd'b d'bc'a|afef defa|
(b4 b2)a2|b'gb fadf|gbeg fade|fedB ABdF|
(A4 A2) dc|.B2.B2.d2.d2|.e2.e2 Tf3e|d3B d3F|TE4 D2:|

X:1
%
T:Killiecrankie [2], a Favorite Set
M:C
L:1/8
R:Strathspey
C:”The 2 Last Variations by William Morrison.”
B:William Morrison - Collection of Highland music, consisting of 
B:strathspeys, reels, marches, waltzes & slow airs (c. 1813, p. 13-15)
Z:AK/Fiddler’s Companion
K:D
F/G/|A>BAF A>BAF/G/|A/G/F/E/ D/E/F/G/ A>BA d/c/|B>dBB, Bc T(B/A/B/c/)|
d/f/e/g/ {g}(f/e/f/)d/ [G2B2]a2|{a}Tba/f/ {g}Taf/e/ {g}Tfe/d/ {f}Ted/c/|Td/(c/d/)B/ A/F/ d/F/ A>BA T(d/c/)|
T(B/A/B/)c/ T(d/c/d/)e/ T(f/e/f/)a/ T(g/f/e/)d/|T(B/A/B/)c/ d/B/A/F/ TE2 {DE}D::f/g/|a>baf a>ba f/g/|
a/g/f/e/ d/e/f/g/ a/f/a/d'/ ad'/c'/|Tb>d'ba b>c'bd'/b/|a/f/e/f/ d/e/f/a/ b>c'd'>c'|
bg/b/ {b}af/a/  {a}g(3e/f/g/ {g}f(3A/B/c/|T(d/c/d/)TB/ A/F/ d/F/ [EA]>B[CEA] d/c/|TB/A/B/c/ Td/c/d/e/ Tf/e/f/a/ Tg/f/e/d/|
TB/A/B/c/ Td/B/A/F/ TE2{DE}D::F/G/|A>B A/F/ d/F/ A/F/ d/B/ (A/G/TF/)E/|D/E/F/G/ A/F/ d/F/ A>BA Td/c/|
B/d/c/d/ B/d/A/d/ B/d/c/d/ B/d/A/c/|d/f/e/g/ Tf/e/f/d/ TB3a|{A}ba/f/ {b}af/e/ {g}fe/d/ {f}ed/c/|
Td/c/d/B/ A/F/ d/B/ [EA]>B[CA] Td/c/|TB/A/B/c/ Td/c/d/e/ Tf/e/f/a/ Tg/f/e/d/|TB/A/B/c/ d/B/A/F/ TE2{DE}D:|
|:f/g/|a/f/Tf {ef}a/f/Tf {ef}a/f/Tf {ef}|a/g/f/e/ d/e/f/g/ a/f/a/d'/ ab/c'/|d'/b/Tb {ba} d’/b/Tb {ba}d'/b/Tb d'/b/Tb {ba}|
a/f/e/f/ d/e/f/a/ bc' {b}d'c'|{c'}bg/b/ {b}af/a/ {a}g(3e/f/g/ {g}f(3A/B/c/|T(d/c/d/)B/ A/F/ d/F/ A>BA d/c/|
TB/A/B/c/ Td/c/d/e/ Tf/e/f/a/ Tg/f/e/d/|TB/A/B/c/ Td/B/A/F/ TE2 {DE}D:|
P:Jig
M:6/8
L:1/8
F/G/|A>B A/G/ F/d/A/G/F/G/|A/^G/A/B/A/=G/ F/d/A/G/F/G/|F/D/F/A/d/e/ f/d/A/G/F/G/|A2 d A2 d/c/|
B/A/B/d/c/d/ BB,B/c/|d/c/B/ f/d/c/ BB,B/c/|d/f/e/g/f/a/ (g/f/e/)d/c/d/|B3 a2 g/a/|
{ga}b/a/g/b/a/g/ {fg}(a/g/f/)a/g/f/|{a}g/f/e/g/f/e/ {g}Tf/e/f/e/d/c/|B/d/c/e/d/e/ Tf/d/A/G/F/G/|[E2A2]d [C2A2]d/c/|
B/A/B/c/d/e/ fFa|b/a/g/f/e/d/ a/g/f/e/d/c/|B/>d/c/>/e/d/>f/ (3e/4d/4c/4 (3B/4A/4G/4 (3F/4E/4D/4 TE3 {DE}D2:|
|:f/g/|a/g/f/e/ d/d’/ (c’/b/a/)g/f/g/|a/^g/a/f/ d/d'/ c'/b/a/=g/f/g/|f/d/f/a/b/c'/ d'/a/b/g/f/g/|a2d' a2 d'/c'/|
b/^a/b/d'/c'/d'/ B B/<d'/c'/>d'/|b/f/b/d'/c'/d'/ bB d'/c'/|b/^a/b/c'/d'/e'/ (3f'/e'/d'/ (3e'/d'/c' {d'e'}f>^a|
b2c' d'2c'|Tb (3g/4a/4b/4 g/e/ Ta (3f/4g/4a/4 f/d/|Tg (3e/4f/4g/4 e/^c/ Tf (3d/4e/4f/4 (3A/4B/4c/4|
(d/c/d/e/) f/d/ (3A/4B/4c/4 (3d/4c/4B/4 (3A/4G/4F/4|A2d A2 d/c/|(B/A/B/)c/d/e/ fFa|
(3b/4a/4g/4 (4a/4g/4f/4 (3g/4f/4e/4 (3f/4e/4d/4 (3e/4d/4c/4 (3d/4c/4B/4|(3A/4B/4c/4 (3d/4e/4f/4 (3e/4d/4c/4 {e}(3d/4c/4B/4 {G}(3F/4E/4D/4|T(E3 {DE}D2):|]

X:1
%
T:Killycrankie [2]
M:2/4
L:1/8
S:John Rook music manuscript collection (Waverly, Cumbria, 1840, p. 46)
Z:AK/Fiddler's Companion
K:D
F/G/|A>BA>F A>BA>F|ED D/E/F/G/ A2 A>d|B>cBA B/A/B/d BA|d>efd B2 Ba|
bgae fdef|ABAF A2 Ad|BB dd ee f>e|d>BA>F E2 D:|
|:f/g/|a>baf a>baf|a/g/f/e/ d/e/f/g/ aaf>a|b>c'ba b/a/b/c'/ ba|fefa b2 bf/a/|
bfae fdef|A>BAF A2 Ad|BB dd ee f>e|d>AF E2 D:|]

X:1
%
T:Killicrankie [2]
M:2/4
L:1/8
R:Slow March
S:Kerr - Merry Melodies, vol. 1, No. 23  (c. 1880)
Z:AK/Fiddler's Companion
K:D
(F/G/)|A>BAF|A/F/A/B/ A>F|A/G/F/E/ D/E/F/G/|A2 AF/A/|
B>dB (A/B/)|dBB (3A/B/c/|d>e f(e/d/)|B2 Bf/a/|
ba/f/ af/e/|fe/d/ ef|d>B A/B/d/F/|A2 Ad/c/|
BA/B/ dB/d/|ee f>e|A/B/d/F/|TE2D||
(f/g/)|a>baf|a/f/a/b/ a>f|a/g/f/e/ d/e/f/g/|a2 af/a/|
b>d'ba|b/a/b/d'/ ba|ba/f/ ef/a/|b2 bf/a/|
b2 bf/a/|b/a/f/b/ a/f/e/a/|g/f/e/d/ ef|d>B A/B/d/F/|
A2 Ad/c/|BA/B/ dB/d/|ee f>e|d>B A/B/d/F/|TE2D||

Killiecrankie (2): Annotations

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