Annotation:Blackfoot: Difference between revisions

Find traditional instrumental music
m (Text replacement - "<p><font face="sans-serif" size="2">" to "<p><font face="sans-serif" size="3">")
m (Text replacement - "<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">" to " <div style="text-align: justify;">")
Line 8: Line 8:
<div style="page-break-before:always"></div>
<div style="page-break-before:always"></div>
<p><font face="sans-serif" size="3">
<p><font face="sans-serif" size="3">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<div style="text-align: justify;">
<br>
<br>
'''BLACKFOOT'''. American, Reel (cut time). USA, Kentucky. G Major. Standard tuning (fiddle). AABB. There are extra beats in a measure in both strains, making it a 'crooked' (irregular) tune.  Titon says that his source, Clyde Davenport, is the only older musician he has heard play this tune in tradition.  
'''BLACKFOOT'''. American, Reel (cut time). USA, Kentucky. G Major. Standard tuning (fiddle). AABB. There are extra beats in a measure in both strains, making it a 'crooked' (irregular) tune.  Titon says that his source, Clyde Davenport, is the only older musician he has heard play this tune in tradition.  

Revision as of 17:05, 11 June 2019

Back to Blackfoot


X:1 T:Blackfoot S:Clyde Daventport (b. 1921, Monticello, Ky.) M:C| L:1/8 R:Reel D:Clyde Davenport - Puncheon Camps (1992) F:https://www.slippery-hill.com/recording/blackfoot Z:Transcribed by Andrew Kuntz K:G G2[GB]-[GA][G2B2] [GB]-[GA]|[G_B]-[G=B][GB][GA] BAGB|dedB G2[G2B2]|[M:6/4]dBGB AG[GB][GA] [G2B2]BA| [M:C|]G2[GB]-[GA][G2B2] [GB]-[GA]|[G_B]-[G=B][GB][GA] BAGB|dedB G2[G2B2]|dBGB A(G[G2B2]) || (Ad2)e f2d2|[B2g2][B2g2][Bg]gag|fd[d2f2](Ad2)e| [B2g2][B2g2][Bg]age|dBAc B(G[G2B2])|(Ad2)e f2d2|[B2g2][B2g2][Bg]gag| fd[d2f2](Ad2)e|[B2g2][B2g2][Bg]age|[M:6/4] dBAc B(G[GB])[GA][G2B2]BA||



BLACKFOOT. American, Reel (cut time). USA, Kentucky. G Major. Standard tuning (fiddle). AABB. There are extra beats in a measure in both strains, making it a 'crooked' (irregular) tune. Titon says that his source, Clyde Davenport, is the only older musician he has heard play this tune in tradition.

Additional notes

Source for notated version: - a field recording of Clyde Davenport, 1990 (Monticello, Wayne County, Ky.), who learned it from his father, Will Davenport [Titon].

Printed sources : - Titon (Old-Time Kentucky Fiddle Tunes), 2001; No. 12, p. 45.

Recorded sources: -

See also listing at:
Hear Clyde Davenports 1986 field recording by John Harrod at Berea Sound Archives [1]
Hear Clyde Davenport's 1992 recording at Slippery Hill [2]



Back to Blackfoot