Annotation:Captain Money's March: Difference between revisions
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'''CAPTAIN MONEY'S MARCH'''. AKA and see "[[Give me the girl that's ripe for joy]]." English, March (4/4 time). G Major. Standard tuning (fiddle). A very popular fife tune in the mid-to-latter 18th century. The earliest known version was printed in London by David Rutherford in '''Compleat Tutor for the Fife''' (1756), followed by appearances in a host of fife tutors, martial collections, woodwind tutors, etc. Samuel Bayard believes James Oswald may have been influenced by the tune, popular during his time, when he wrote "The Tulip," to which it bears a resemblance. See also "[[Balance the Straw (1)]]." | '''CAPTAIN MONEY'S MARCH'''. AKA and see "[[Give me the girl that's ripe for joy]]." English, March (4/4 time). G Major. Standard tuning (fiddle). A very popular fife tune in the mid-to-latter 18th century. The earliest known version was printed in London by David Rutherford in '''Compleat Tutor for the Fife''' (1756), followed by appearances in a host of fife tutors, martial collections, woodwind tutors, etc. Samuel Bayard believes James Oswald may have been influenced by the tune, popular during his time, when he wrote "The Tulip," to which it bears a resemblance. See also "[[Balance the Straw (1)]]." | ||
Revision as of 17:25, 11 June 2019
X:1 T:Capt. Money's March M:C L:1/8 R:March B:A. Robinson Jr. - ”Massachusetts collection of martial musick: containing a B:plain, easy and concise introduction to the grounds of martial musick” B:(Exeter, 1820, p. 57) B: https://archive.org/details/massachusettscol00exet/page/64/mode/2up Z:AK/Fiddler’s Companion K:G GA|B2 AG d2 BG|e2 e2 d2 Bc|d2 cB AcBA|G2 GG G2:| |:d2|g2 fe d2 cB|e2e2 d2 Bc|d2 cB A2G2|AGFE D3d| g2 fe d2cB|e2e2d2c2|Bgfg B2A2|G2 GG G2:|
CAPTAIN MONEY'S MARCH. AKA and see "Give me the girl that's ripe for joy." English, March (4/4 time). G Major. Standard tuning (fiddle). A very popular fife tune in the mid-to-latter 18th century. The earliest known version was printed in London by David Rutherford in Compleat Tutor for the Fife (1756), followed by appearances in a host of fife tutors, martial collections, woodwind tutors, etc. Samuel Bayard believes James Oswald may have been influenced by the tune, popular during his time, when he wrote "The Tulip," to which it bears a resemblance. See also "Balance the Straw (1)."