User:WikiSysop/LastMainPage: Difference between revisions
No edit summary |
No edit summary |
||
| Line 27: | Line 27: | ||
|contenuto= {{LatestTunes}} | |contenuto= {{LatestTunes}} | ||
}} | }} | ||
</div> | |||
<div class="nomobile"> | |||
<div class="noprint"> | |||
<div id="mf-gs" title="Getting Started"> | |||
{| style="width:100%;vertical-align:top; background:transparent;" | |||
! style="padding:2px;width:100%;" | <h2 style="margin:3px; background:#bfceea; border:1px solid #a7a9ac; -moz-border-radius: 10px; -webkit-border-radius: 10px; border-radius:10px; font-size:120%; font-weight:bold; text-align:left; color:#000; padding:0.2em 0.4em;">[[File:38px-PL_Wiki_CzyWiesz_ikona.svg.png|link=|alt=Help]] [[Getting_started | <font face="sans-serif" size="4">Getting started</font>]]</h2> | |||
|- | |||
| style="color:#000;" | <div style="padding:2px 5px">{{GS_TTA}}</div> | |||
<!-- ========================== END OF FOOTER ========================== --> | |||
|} | |||
</div> | |||
</div> | |||
</div> | </div> | ||
Revision as of 15:57, 12 June 2019
|
Played by: Jatek Zenekar
Source: Soundcloud
Image: Ernie Carpenter (1909-1997)
Composed by Braxton County, West Virginia, old-time fiddler Ernie Carpenter (1909-1997).
According to the booklet accompanying Carpenter's LP, the story behind the tune is one of a difficult adjustment to a forced change in Ernie's life. He had worked most of his life for the Pittsburgh Plate Glass Company in Clarksburg, prior to retiring in 1972 to his home in Braxton County, West Virginia.
He was a regular visitor during his working years to his homeplace on the Elk River, and was witness to the planning and construction of the Sutton Dam by the U.S. Army Corps of Engineers on the river during the 1950's and 1960's.
Unfortunately, this resulted in the flooding of his boyhood home and the surrounding area, despite the efforts of himself and neighbors to forestall the project through a lobbyist. He refused the government's initial offer for his land (they didn't offer him anything for his house), and took the case to court.
He was able to gain a marked increase in the money he eventually was paid through this process, although he had to pay legal fees out of his pocket. He stayed in his Elk River homestead while the dam was being constructed, even though most of his neighbors had already left. Workmen blocked the roads in and out of the area, but Carpenter found alternate routes until they too were closed off.
"I was the last person out of there," he said," I went ahead then and tore the old place town and brought it up here. Part of its in this house." Of the tune, he remarked: "I was sittin' here one day, an' I had the blues. I reckon as bad as anybody could, thinkin' about my old homeplace up on the Elk River. I started sawin' on the fiddle an' that's what I came up with."
...more at: Elk River Blues - full Score(s) and Annotations
X:1 T:Elk River Blues C:Ernie Carpenter (W.Va.) M:4/4 L:1/8 R:Air N:Played slower than a breakdown, at a very brisk N:walking pace Z:Transcribed by Andrew Kuntz K:G D EG|[M:5/4]A2A3 A/B/ AG E/D/E/F/|[M:4/4]G2G3 D EG|[M:5/4]A2 A3 A/B/ AG E/D/E/F/|[M:4/4]G2 G3 G/A/ B/c/d| [M:5/4]e2 e3 e/f/ ed B/A/B/c/|[M:4/4]d2 d3B G(3A/B/d/|[M:5/4]e2 e3 e/f/ ed B/A/G/B/|[M:4/4]A4- A:|]
Who Builds The Archive
Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education.
This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance.
Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want?
Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.
Andrew Kuntz & Valerio Pelliccioni
Please register as a user to make the most of the many functions of the TTA, and enjoy the many ways that information about traditional tunes can be elicited and combined, from simple to complex situations. Users may make contributions, which, when reviewed by an editor, become part of this community project. Serious user/contributors may become editors through the TTA's promotion process, in which quantity and quality of entries allows increased levels of permission to edit and review the entire index.
Above all, the developers wish you joy in the use of the TTA.
Latest Tunes
<news onlynew="true" unique limit="10" nominor categories="tune">
* [[{{{pagename}}}]] - ({{{timeanddate}}})
</news>
