Molly St. George: Difference between revisions

Revision as of 09:34, 13 June 2019

Molly St. George Click on the tune title to see or modify Molly St. George's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Molly St. George Query the Archive
Theme code Index	1H76 564
Also known as
Composer/Core Source	Biography:Thomas Connellan
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	3/4
History
Structure	AAB, AABBCCDD
Editor/Compiler	Biography:John & William Neal
Book/Manuscript title	Book:A Collection of the Most Celebrated Irish Tunes
Tune and/or Page number	p. 4
Year of publication/Date of MS	1724
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Molly St. George: Annotations

X:1
%
T:Molly St. GEORGE
S:J. & W. Neal, 'A Collection of the Most Celebrated Irish Tunes'
N:Dublin, c 1724
Q:1/4=80
L:1/4
M:3/4
K:G
(d/4e/4f/)|gfe|d(e/d/)(c/B/)|cBA3/4G/4|E2B/d/|e(g/e/)(d/B/)|
AB/4c/4d/ D|E(G/4A/4B/) A/G/|G2::(D/E/)|G/A/B (A/4B/4c/)|
B(c/B/)(A/G/)|(c/B/c/d/) e/f/|g2e/g/|ab/a/g/e/|de/d/c/B/|
cd/c/B/c/|A2(B/A/4B/4)|c/B/c/d/ e/f/|g2(f/e/)|(d/g/)(d/B/)(A/G/)|
E2B/d/|e(g/e/)(d/B/)|A(B/4c/4d/)D|E (G/A/4B/4) A/G/|G2|]

X:1
%
T:Molly St. George
M:3/4
L:1/8
B:Daniel Wright – Aria di Camera (London, 1727, No. 46)
N:”being A Choice Collection of Scotch, Irish & Welsh Airs
N:for the Violin and German Flute by the following masters
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Hugh Edwards of Carmarthen”
F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf
Z:AK/Fiddler’s Companion
K:G
(d/e/f)|g2f2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd|
e2 (ge)(dB)|A2 (b/c/d) D2|E2 (G/A/B) (AG)|G4:|
(DE)|FA B2 (A/B/c)|B2 (cB)(AG)|cBcdef|g4 eg|
a2 bage|d2 edcB|c2 dcBc|A4 (BA/B/)|
cBcdef|g4 (fe)|(dg)(dB)(AG)|E4 Bd|
e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) A>G|G4||

X:1
%
T:Molly St. George
M:3/4
L:1/8
R:Air
Q:"Slow"
B:Burke Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 3, pp. 30-31)
Z:AK/Fiddler's Companion
K:G
d/e/f|g2Tf2e2|d2 edcB|c2B2 TA>G|E4 Bd|
e2 gedB|A2 (B/c/d) D2|e2 G/A/B TA>G|G4:|
|:DE|GAB2 (A/B/c)|B2 cBAG|cBcdef|g4 ea|
a2 bagf|d2 edcB|c2 dcBc|A4 BA/B/|
cBcdef|g4 fe|dg(dBAG)|E4 Bd|
e2 (gedB)|A2 B/c/d D2|E2 G/A/B TA>G|G4:|
|:d/e/f|gbagfe|edcBAG|cB (3cBA (3BAG|E4 Bd|
e/f/e/f/ gedB|A2 B/c/d D2|EedBAG|G4:|
|:DE|G/F/G/A/ B/A/B/c/ d2|B2 (3cBA (3BAG|cB c/d/c/d/ e/f/e/f/|g4 eg|
a2 b/c'/b/a/ g/a/g/f/|d2 e/f/e/d/ c/d/c/B/|ceecdB|A4 BA/B/|
cB c/d/c/d/ ef|g4 fe|dgdBAG|E4 Bd|
(3efe (3gfe (3dcB|A2 B/c/d D2|Ee e/d/c/B/ d/c/B/A/|G4:|]

X:1
%
T:Molly St. George
M:3/4
L:1/8
R:Air
B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No.  49)
N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:G
de/f/|g2Tf2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd|
e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) TA>G|G4:|
|:D>E|(GA) B2 (A/B/c)|B2 (cB)(AG)|(cBcdef)|g4 ea|
a2 (ba)(ge)|d2 (ed)(cB)|c2 (dc)(Bc)|A4 (BA/B/)|
(cB)(cdef)|!fermata!g4 fe|(dg)(dB)(AG)|E4 Bd|
e2 (ge)(dB)|A2 (B/c/d)D2|E2 (G/A/B) TAG|G4:|

X:1
%
T:Molly St. George
C:"Conalon"
M:3/4
L:1/8
R:Air
B:Bunting - A General Collection of the Ancient Music of Ireland (1796, No. 12, p. 7)
Z:AK/Fiddler's Companion
K:G
d/e/f|[G2g2] (gf)(ed)|~d2 (ed~cB)|[D2c2][D2B2] {B}T(A>G)|E4 (A/B/d)|
e2 (fe) (dB)|A>B d2 (D2|E2) {B}TA3G|[B,4G4]||
|:D/E/F|[B,2G2][F2A2] ([D2B2]A)|[D2B2][G2B2](AG)|[E2c2][G2d2] [ce]f|[G4d4g4] (d/e/g)|
[A2a2][B2b2] (a/g/e)|[G2d2]e2 (e/d/B)|A2 dB AB|[D4F4A4] {d}cB|
c2 [G2d2] [Ee][Ff]|[G2g2][G2B2d2g2] {a}gf/e/|d2B2 A>G|E4 D/E/F|
[B,2G2] FE~DC|B,2 A,>B, G,2|E2{B}TA3G|[B,4G4]:|]

X:1
%
T:Molly St. George
M:3/4
L:1/8
R:Air
Q:"Andante"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 107, p. 54)
N:Irish-born John Clinton was a flute player and teacher at the 
N:Royal Conservatory, London.
Z:AK/Fiddler’s Companion
K:G
(d/e/.f)|.g2 (gf)({f}(ed)|d2 {ed^cd} (ed=cB)|(c2B2) {B}T(A>G)|E4 (A/B/).d|
.e2 (fe)(dB)|(A>B) .d2.D2|.E2 {B}T(A3G)|G4||
|:(D/E/F)|(G2A2) (BA)|.B4 (AG)|.B2.d2 (ef)|g4 (d/e/g)|
(a2b2) (a/g/).e|(d2e2) (e/d/).B|.A2 (dBAB)|A4 {d}(cB)|
(d2e2) (ef)|g4 {a}(g/f/e)|(d2B2) {B}(A>G)|E4 (d/e/).f|
g2 (fedc)|.B2 (A>B) G2|E2 {B}T(A3G)|G4:|]

X:1
%
T:Molly St. George
M:3/4
L:1/8
R:Air
Q:"Andante"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 169, p. 77)
Z:AK/Fiddler’s Companion
K:G
d/e/f|g2 (gf)(ed)|O[G2d2] (ed~cB)|[D2c2][D2B2]{B}(A>G)|E4 (A/B/d)|
e2 (fe) (dB)|A>B d2(D2|E2) {B}TA3G|[B,4G4]||
|:D/E/F|[B,2G2][F2A2] (BA)|[D2B2] [G2B2] (AG)|[E2c2]d2 ef|[d4g4] (d/e/g)|
[A2a2] b2 (a/g/e)|d2 e2 (e/d/B)|A2 dB AB|[F4A4] {d}cB|
c2 d2 ef|g2 [d3g3] {a}gf/e/|d2B2 A>G|E4 D/E/F|
G2 FE~DC|B,2 A,>B, G,2|E2 {B}TA3G|[G,4G4]:|]

Molly St. George: Annotations

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