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[[File:barbed.jpg|200px|left]]
[[File:Crehan.jpg|200px|thumb|left|West Clare fiddler Martin 'Junior' Crehan.]]
On November 24, 1874, Joseph F. Glidden of DeKalb, Illinois, was granted a patent for fencing material consisting of barbs wrapped around a single strand of wire and held in place by twisting that strand around another. His original double-strand design, the Winner, lived up to its name; it is the most commercially successful of the hundreds of eventual barbed wire designs. Glidden was also the winner in a welter of litigation that reached all the way to the Supreme Court after some dozen other inventors claimed legal priority. Barbed wire was not immediately successful in Texas and elsewhere, especially with smaller cattle ranchers who depended on an 'open range' to sustain their operations. Their opposition led to the barbed wire conflicts of the 1880's, but eventually the ranges were fenced offAlthough open range became a thing of the past, barbed wire helped cattlemen to breed herds in protected environments, thus negating the reliance on long-horned cattle that were more suitable to the open range.
Composed by the late Clare fiddler Martin 'Junior' Crehan (1908-1998). In a 1980's interview with Crehan, Finbar Boyle asked him about the origins of the tune Crehan related that he and friends used to play by a stream associated with an otter den, and that cattle would come by and (according to Junior) be soothed by the music. The word ''holt'' is an archaic form (a phoentic variant of 'hold', generally from the English mid-lands), but is usually taken to mean a place of refuge or abode; an animal's den. There is an interesting connection with Paddy Killoran's "Old Dudeen," which shares some melodic material with Crehan's melody (see note). Andy Stewart's song "Take Her in Your Arms" (on Green Linnet SIF 1083, "Dublin Lady") is set to this tune.  
The reel is similar to Paddy Killoran's "[[Old Dudeen (The)]]" in the first strain.   
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[[Annotation:Texas_Barbed_Wire|TEXAS BARBED WIRE full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
[[Annotation:Otter%27s_Holt_(The)|OTTER'S HOLT full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
[[File:Texas barbed wire g.mp3|left|thumb|Played By: Jon Bekoff]]
[[File:Otter's Holt.mp3|left|thumb]]
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X:1
{{#lst:Otter%27s_Holt_(The)|abc}}
T:Texas Barbed Wire
M:C|
L:1/8
R:Reel
K:G
EE|D2 B2 BcBG-|D2 [DB]A BdBG-|E3 [Ec]B cdcG-|E2 [Ec]B cdcG-|
DD BA BcBG-|DD BA BdBG|AFAB cBAc|BG[GB][GB][G2B2]:|
Bc|dg[dg]f gfga|b2g2- gg-fg|abag fefg|a2f4Bc|
dg[dg]f gfga|b2g2- ge-fg|abae- fd[d2f2]|1 [B3g3][Bg] [Bg]dBc:|2[B3g3][Bg] [Bg]:|

Revision as of 06:36, 15 June 2019



West Clare fiddler Martin 'Junior' Crehan.

Composed by the late Clare fiddler Martin 'Junior' Crehan (1908-1998). In a 1980's interview with Crehan, Finbar Boyle asked him about the origins of the tune Crehan related that he and friends used to play by a stream associated with an otter den, and that cattle would come by and (according to Junior) be soothed by the music. The word holt is an archaic form (a phoentic variant of 'hold', generally from the English mid-lands), but is usually taken to mean a place of refuge or abode; an animal's den. There is an interesting connection with Paddy Killoran's "Old Dudeen," which shares some melodic material with Crehan's melody (see note). Andy Stewart's song "Take Her in Your Arms" (on Green Linnet SIF 1083, "Dublin Lady") is set to this tune. The reel is similar to Paddy Killoran's "Old Dudeen (The)" in the first strain.


OTTER'S HOLT full Score(s) and Annotations and Past Featured Tunes