Annotation:Nancy Till: Difference between revisions

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'''NANCY TILL.''' AKA and see "[[Cane Break (2) (The)]]," "[[Come Love Come]]," "[[Down in de Canebreak]]," "[[Nancy Dill]]." American, Air and Two-step (4/4 time). G Major. Standard tuning (fiddle). AA'BB'. A minstrel-era song written anonymously and published in 1851. It was first performed by White's Serenaders, a popular blackface minstrel troupe, and "Nancy Till" was their most popular song. The lyric begins:
'''NANCY TILL.''' AKA and see "[[Cane Break (2) (The)]]," "[[Come Love Come]]," "[[Down in de Canebreak]]," "[[Nancy Dill]]." American, Air and Two-step (4/4 time). G Major. Standard tuning (fiddle). AA'BB'. A minstrel-era song written anonymously and published in 1851. It was first performed by White's Serenaders, a popular blackface minstrel troupe, and "Nancy Till" was their most popular song. The lyric begins:
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[[File:white's.jpg|200px|thumb|right|White's Serenaders]]
[[File:white's.jpg|200px|thumb|right|White's Serenaders]]
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CHO:<br>  
CHO:<br>  
''Oh, come love, come, de boat lies low,'' <br>
''Oh, come love, come, de boat lies low,'' <br>
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''I'm going to serenade her, ''<br>
''I'm going to serenade her, ''<br>
''An' dis shall be de song.''<br>
''An' dis shall be de song.''<br>
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The tune appears in England in Peter Kennedy's '''Fiddler's Tune-Book''' (1951) as set as a schottishce, "Nancy Dill" with the alternate title "[[Cane Break (2) (The)]]."   
The tune appears in England in Peter Kennedy's '''Fiddler's Tune-Book''' (1951) as set as a schottishce, "Nancy Dill" with the alternate title "[[Cane Break (2) (The)]]."   
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''Source for notated version'':
<p><font face="sans-serif" size="3"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: -
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''Printed sources'': '''Christy's Banjo Book''', 1859. Kerr ('''Merry Melodies, vol. 2'''), c. 1880's; No. 408, p. 46. Lair ('''100 WLS Barn Dance Favorites'''), 1935; p. 74.  
<font color=red>''Printed sources''</font> : - '''Christy's Banjo Book''', 1859. Kerr ('''Merry Melodies, vol. 2'''), c. 1880's; No. 408, p. 46. Lair ('''100 WLS Barn Dance Favorites'''), 1935; p. 74. {{break|2}}
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''Recorded sources'':
<font color=red>''Recorded sources'': </font> <font color=teal> -Victor 21430 (78 RPM), Frank Crumit (1928).</font>
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Victor 21430 (78 RPM), Frank Crumit (1928).
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Revision as of 20:32, 1 August 2019

Back to Nancy Till


X:1 T:Nancy Till' T:Cane Break [2] M:4/4 L:1/8 B:Kerr - Merry Melodies, vol. 2, No. 408 (c. 1880's) Z:AK/Fiddler's Companion K:G (3GGG B>A G2B2|c>Bc>e d2g2|(3GGG B>A G>AB>c|1 d>BA>B G>FE>D:|2 dBAB G2z2|| |(3ddd d2 g>dB>c|d>ed>B A>GA>B|c>Bc>d e>cA>F|1 G>AB>c d>cB>c:|2 A2G2G2z2||



NANCY TILL. AKA and see "Cane Break (2) (The)," "Come Love Come," "Down in de Canebreak," "Nancy Dill." American, Air and Two-step (4/4 time). G Major. Standard tuning (fiddle). AA'BB'. A minstrel-era song written anonymously and published in 1851. It was first performed by White's Serenaders, a popular blackface minstrel troupe, and "Nancy Till" was their most popular song. The lyric begins:

White's Serenaders

CHO:
Oh, come love, come, de boat lies low,
She lies high and dry on de Ohio,
Come love, come, won't you go 'long wid me,
I'll take you down to Tennessee.


Down by de cane brake,
Close by de mill,
Dere I met a yaller gal,
And her name was Nancy Till;
She know'd dat I loved her,
She know'd it berry long,
I'm going to serenade her,
An' dis shall be de song.

The tune appears in England in Peter Kennedy's Fiddler's Tune-Book (1951) as set as a schottishce, "Nancy Dill" with the alternate title "Cane Break (2) (The)."

Additional notes

Source for notated version: -

Printed sources : - Christy's Banjo Book, 1859. Kerr (Merry Melodies, vol. 2), c. 1880's; No. 408, p. 46. Lair (100 WLS Barn Dance Favorites), 1935; p. 74.

Recorded sources: -Victor 21430 (78 RPM), Frank Crumit (1928).



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