Annotation:Nancy Fat: Difference between revisions
m (Text replacement - "garamond, serif" to "sans-serif") |
No edit summary |
||
| Line 1: | Line 1: | ||
== | __NOABC__ | ||
<div class="noprint"> | |||
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | |||
</div> | |||
---- | ---- | ||
<p><font face=" | {{#lst:{{PAGENAME}}|abc}} | ||
---- | |||
<div style="page-break-before:always"></div> | |||
<p><font face="Century Gothic" size="3"> | |||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | |||
<br> | |||
'''NANCY FAT.''' American, Jig. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) calls this seemingly a composite tune, meaning that it employs two strains from different tune families. He concludes that it was popular in North America, as a very similar tune, a part of a Lancers set, was recorded by Bayard (1981, Appendix No. 41, p. 590) from a fiddler from Prince Edward Island, Canada. While the musicologist was not able to trace the second strain (which he thought sounded modern), the first strain is derived from the once-popular common-time "[[Because He was a Bonny Lad]]." | '''NANCY FAT.''' American, Jig. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) calls this seemingly a composite tune, meaning that it employs two strains from different tune families. He concludes that it was popular in North America, as a very similar tune, a part of a Lancers set, was recorded by Bayard (1981, Appendix No. 41, p. 590) from a fiddler from Prince Edward Island, Canada. While the musicologist was not able to trace the second strain (which he thought sounded modern), the first strain is derived from the once-popular common-time "[[Because He was a Bonny Lad]]." | ||
<br> | <br> | ||
<br> | <br> | ||
</div> | |||
</font></p> | </font></p> | ||
<p><font face=" | <div class="noprint"> | ||
''Source for notated version'': Guy Mundell (Greene County, Pa., 1944) and Levi Hall (Fayette County, Pa., 1944) [Bayard]. | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
<p><font face="Century Gothic" size="3"> | |||
<font color=red>''Source for notated version''</font>: - Guy Mundell (Greene County, Pa., 1944) and Levi Hall (Fayette County, Pa., 1944) [Bayard]. | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 566, p. 503. | <font color=red>''Printed sources''</font> : - Bayard ('''Dance to the Fiddle'''), 1981; No. 566, p. 503. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
</font></p> | </font></p> | ||
<br> | <br> | ||
---- | ---- | ||
== | <p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | ||
</div> | |||
__NOEDITSECTION__ | |||
__NOTITLE__ | |||
Revision as of 16:11, 2 September 2019
X:1 T:Nancy Fat M:6/8 L:1/8 R:Jig S:Levi Hall (southwestern Pa., 1944) B:Bayard - Dance to the Fiddle (1981) K:G Bcd G2G|gfg dcB|BdB G2G|A3 A2z| BdB G2G|g>gg dcB|BdB AFA|G3-G2z|| b2a g2g|efg d2d|b2a gfg|a3-a2a| b2a g2g|{f}efg d2d|B2d A2F|G3-G2z||
NANCY FAT. American, Jig. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) calls this seemingly a composite tune, meaning that it employs two strains from different tune families. He concludes that it was popular in North America, as a very similar tune, a part of a Lancers set, was recorded by Bayard (1981, Appendix No. 41, p. 590) from a fiddler from Prince Edward Island, Canada. While the musicologist was not able to trace the second strain (which he thought sounded modern), the first strain is derived from the once-popular common-time "Because He was a Bonny Lad."