Annotation:Butcher's March (1): Difference between revisions
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'''BUTCHER'S MARCH [1], THE''' ("Máirseáil na mBúistéirí" or "Triall An Bustoir"). AKA and see "[[Butcher's Jig (2) (The)]]," "[[Ree Raw]]." Irish, March or Double Jig. G Major. Standard tuning (fiddle). AAB (Stanford/Petrie): AABB (Breathnach, Cole, Flaherty, O'Neill): AABBCCDDEEFF (Breathnach, O'Farrell). O'Neill (1913) records that the tune was associated with a tradition of butchers performing a long dance on "May-Eve." In the city of Limerick in the 18th century the dance, Rinnce Fada, was witnessed by Sylvester O'Halloran, an eminent native historian. In 'modern' times, states O'Neill, the tune in two strains is danced as a double jig, though he points out the setting in O'Farrell's '''Pocket Companion for the Irish or Union Pipes''' (vol. 2, Book 1, c. 1810) has six parts. Canon James Goodman's mid-19th century version, collected in County Cork, has five parts. | '''BUTCHER'S MARCH [1], THE''' ("Máirseáil na mBúistéirí" or "Triall An Bustoir"). AKA and see "[[Butcher's Jig (2) (The)]]," "[[Ree Raw]]." Irish, March or Double Jig. G Major. Standard tuning (fiddle). AAB (Stanford/Petrie): AABB (Breathnach, Cole, Flaherty, O'Neill): AABBCCDDEEFF (Breathnach, O'Farrell). O'Neill (1913) records that the tune was associated with a tradition of butchers performing a long dance on "May-Eve." In the city of Limerick in the 18th century the dance, Rinnce Fada, was witnessed by Sylvester O'Halloran, an eminent native historian. In 'modern' times, states O'Neill, the tune in two strains is danced as a double jig, though he points out the setting in O'Farrell's '''Pocket Companion for the Irish or Union Pipes''' (vol. 2, Book 1, c. 1810) has six parts. Canon James Goodman's mid-19th century version, collected in County Cork, has five parts. | ||
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Breathnach gives that Sliabh Luachra fiddler Denis Murphy called the tune "[[Along with the Girls I'd Like to Be]]." See also "[[Rub the Bag]]," and variants listed under "[[Butcher's March (2) (The)]]," below. Don Meade points out this is not the tune usually known as "The Butcher's March" in Irish sessions today. There may be some relation to the "[[Gold Ring (1)(The)]]" family of tunes. | Breathnach gives that Sliabh Luachra fiddler Denis Murphy called the tune "[[Along with the Girls I'd Like to Be]]." See also "[[Rub the Bag]]," and variants listed under "[[Butcher's March (2) (The)]]," below. Don Meade points out this is not the tune usually known as "The Butcher's March" in Irish sessions today. There may be some relation to the "[[Gold Ring (1)(The)]]" family of tunes. | ||
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'' | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Sources for notated versions''</font>: - accordionist and fiddler John Keane (Co. Kerry, Ireland) [Breathnach]; fiddler Fred Finn (1919–1986, Kiltycreen, Kilavil, Co. Sligo, Ireland) [Flaherty]. | |||
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''Printed sources'': | <font color=red>''Printed sources''</font> : - Breathnach ('''CRÉ 2'''), 1976; No. 27 [1], p. 16. | ||
Breathnach ('''CRÉ 2'''), 1976; No. 27 [1], p. 16. | |||
Breathnach ('''CRÉ 2'''), 1976; No. 27 [3], p. 17. | Breathnach ('''CRÉ 2'''), 1976; No. 27 [3], p. 17. | ||
Breathnach ('''CRÉ 2'''), 1976; No. 21 (appears as "Gan ainm/No title"), p. 13. | Breathnach ('''CRÉ 2'''), 1976; No. 21 (appears as "Gan ainm/No title"), p. 13. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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See also listing at:<br> | See also listing at:<br> | ||
See the tune in the Dunn Family manuscript collection [http://archives.irishfest.com/Dunn-Family-Collection/Manuscripts/Manuscript-02/DunnMS00-002-8.jpg]<br> | See the tune in the Dunn Family manuscript collection [http://archives.irishfest.com/Dunn-Family-Collection/Manuscripts/Manuscript-02/DunnMS00-002-8.jpg]<br> | ||
See the tune in James Goodman's music manuscript collection [http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=186&z=281.7451%2C279.1704%2C7374.2874%2C4466.6667]<br> | See the tune in James Goodman's music manuscript collection [http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=186&z=281.7451%2C279.1704%2C7374.2874%2C4466.6667]<br></font></p> | ||
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Revision as of 00:37, 23 September 2019
X:1 T:Butchers' March [1], The M:6/8 L:1/8 B:O'Farrell -- Pocket Companion for the Irish or Union Pipes (1810) Z:AK/Fiddler's Companion K:D g|fAA eAA|ded/B/ A2g|fAA eAA|ded/B/G:| |:B|ded/B/ dGB|ded/B/ A2B|ded/B/ dGB|ded/B/ G2:| |:g|f2a e2a|ded/B/ A2g|f2a e2a|ded/B/ G2:| |:g|faf gea|edB A2g|fga/f/ gea|edB G2:| |:B|dGB dGB|ded/B/ A2B|dGB dGB|ded/B/ G2:||
BUTCHER'S MARCH [1], THE ("Máirseáil na mBúistéirí" or "Triall An Bustoir"). AKA and see "Butcher's Jig (2) (The)," "Ree Raw." Irish, March or Double Jig. G Major. Standard tuning (fiddle). AAB (Stanford/Petrie): AABB (Breathnach, Cole, Flaherty, O'Neill): AABBCCDDEEFF (Breathnach, O'Farrell). O'Neill (1913) records that the tune was associated with a tradition of butchers performing a long dance on "May-Eve." In the city of Limerick in the 18th century the dance, Rinnce Fada, was witnessed by Sylvester O'Halloran, an eminent native historian. In 'modern' times, states O'Neill, the tune in two strains is danced as a double jig, though he points out the setting in O'Farrell's Pocket Companion for the Irish or Union Pipes (vol. 2, Book 1, c. 1810) has six parts. Canon James Goodman's mid-19th century version, collected in County Cork, has five parts.
Breathnach gives that Sliabh Luachra fiddler Denis Murphy called the tune "Along with the Girls I'd Like to Be." See also "Rub the Bag," and variants listed under "Butcher's March (2) (The)," below. Don Meade points out this is not the tune usually known as "The Butcher's March" in Irish sessions today. There may be some relation to the "Gold Ring (1)(The)" family of tunes.
![[1]](http://archives.irishfest.com/Dunn-Family-Collection/Manuscripts/Manuscript-02/DunnMS00-002-8.jpg){kind=link}