Flowers of Edinburgh (1): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Flowers of Edinburgh (1) | |f_tune_title=Flowers of Edinburgh (1) | ||
|f_aka=Blata Duin-Eudain, Flooers o' Edinburgh, Cois Lasadh, Cois Leasa, Beside a Rath, Earl of Hopetown's Reel, Flowers of Donnybrook, My love's bonny when she smiles on me, My Love was Once a Bonnie Lad, Old Virginia Reel (3), To the Battle Men of Erin, Old Virginia, Cush Lasso | |f_aka=Blata Duin-Eudain, Flooers o' Edinburgh, Cois Lasadh, Cois Leasa, Beside a Rath, Earl of Hopetown's Reel, Flowers of Donnybrook, My love's bonny when she smiles on me, My Love was Once a Bonnie Lad, Old Virginia Reel (3), To the Battle Men of Erin, Old Virginia, Cush Lasso, Reel du Père Noël | ||
|f_country= | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Cape Breton/PEI, Contra, Down-East/Maritime, English, Irish, Metis, Morris, Northumbrian/Borders, Pipe, Scottish, Shetland/Orkney | |f_genre=Cape Breton/PEI, Contra, Down-East/Maritime, English, Irish, Metis, Morris, Northumbrian/Borders, Pipe, Scottish, Shetland/Orkney | ||
|f_rhythm=Air/Lament/Listening Piece, Country Dance, Hornpipe/Clog, Reel (single/double) | |f_rhythm=Air/Lament/Listening Piece, Country Dance, Hornpipe/Clog, Reel (single/double) | ||
|f_time_signature= | |f_time_signature=4/4, 2/4, 2/2 | ||
|f_key=G | |f_key=G | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
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S:Twelve Country Dances for the Harpsichord, 1749. | S:Twelve Country Dances for the Harpsichord, 1749. | ||
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S:Scots Musical Museum, #13 (1787) | S:Scots Musical Museum, #13 (1787) | ||
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S:from the playing of Dave Swarbrick, | S:from the playing of Dave Swarbrick, | ||
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Revision as of 14:07, 7 October 2019
Flowers of Edinburgh (1): Annotations
X:1 T:Flower of Edinburgh M:C| L:1/8 R:Country Dance Tune B:John Walsh – Caledonian Country Dances vol. II (c. 1737, No. 294, pp. 34-35) Z:AK/Fiddler’s Companion K:G (3GFE|D3E G3A|BGBd {c}B2 AG|{G}F3E DEFG|AF dF E2 FE| DEFD G3A|(3BAG (3Bcd e3g|dBAG E2 GA|B2 GA G2:| |:d2|gfg>a g/a/b ag|fef>g (f/g/a) gf|edef gfed|B2 e2 e3 g/4f/4e/| dBAG d2 cB|edef g3 (g/4a/4b/)|cBAG E2 GA|B2G2G2:|]
X:1 T:Flowers of Edinburgh [1], The M:C L:1/8 R:Air Q:"Slow" S:McGibbon - Scots Tunes, book II, p. 59 (c. 1746) Z:AK/Fiddler's Companion K:G D2 | D3E G3A | (BG) (dG) {c}B2 AG | TF3E D>EFG | AFdF TE3F | D3EG3A | T(B>AG)d e2 (e/f/g) | (cB)(AG) {B}A2 GA | B2 TA>G G2 :| |: (d/e/f) | g>fga (g/a/b) T(ag) | T(f>efg) (f/g/a) T(gf) | (ede)f (gf)(ed) | B2 e>f e2 {ef}g2 | {c}B2 AG d2 (cB) | edef g>abB | (cB)(AG) A2 GA | B2 TA>G G2 :|
X:2 T:Flower of Edinburgh [1] S:Twelve Country Dances for the Harpsichord, 1749. Z:Bruce Olson L:1/4 M:C| K:G (3 G/F/E/|D3/2E/G3/2A/|B/G/ B/d/{c/}BA/G/|{G/}F3/2E/ D/E/ F/G/|A/F/ d/F/EF/E/| D/E/ F/D/G3/2A/|(3B/A/G/ (3 B/c/d/ e3/2g/|d/B/ A/G/EG/A/|BG/A/G|| d|g/f/ g3/4a/4 f/4a/4b/ a/g/|f/e/ f3/4g/4 f/4g/4a/ g/f/|e/d/ e/f/ g/f/ e/d/|Bee3/2 g/8f/8e/4| d/B/ A/G/dc/B/|e/d/ e/f/ g3/2g/8a/8b/4|c/B/ A/G/ EG/A/|BGG|]
X:3 T:Flower of Edinburgh [1] M:C| L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:G (3GFE|D3E G3A|BGBd (cB)(AG)|F3 E DEFG|AfdF E2 FE| DEFD G3 A|(3BAG (3Bcd e3g|dBAG E2 GA|B2 GA G2:| |:d2|gfga g/a/b ag|fefg f/g/a gf|edef gfed|B2e2 e3 (g/4f/4e/)| dBAG d2 cB|edef g2 (g/a/b)|cBAG E2 GA|B2G2G2:||
X:4 T:Flower of Edinburgh, The M:C L:1/8 B:Oswald – Caledonian Pocket Companion Book 3 (1760, p. 19) Z:AK/Fiddler’s Companion K:G GE|D3E G3A|BGBd TB2 (AG)|TF3E (DE)(FG)|AF dF TE2D2| D2 DE G3A|BABd e3g|dB AG E2 (GA)|TB2 (AG) G2:| |:(d/e/f)|gfga {ga}b2 ag|fefg a2 (gf)|edef gfed|B2e4 fg| TB2 AB Td2 Bd|edef g2 (g/a/b)|dBAG E2 (GA)|TB2 (AG)G2:| |:GE|DE G2- GABd|edBg dBAG|FE D2- DEFG|AFdF TE2 D2| DE G2- GBAG|AGAB Te3g|dB AG EG eg|TB2 (AG) G2:| |:d/e/f)|(3gfg G2-Gbag|(a/g/)f F2-Fagf|egfe bgfe|dBAB e2 (e/f/g)| T(BA) B2 T(dB)d2|Ted e2 g3(a/b/)|dBAG E2 GA|TB2 (AG) G2:|]
X:5 T:Flowers of Edinburgh [1] M:C L:1/8 R:Reel S:Henry Livingston's manuscript copybook, late 18th century Z:AK/Fiddler's Companion K:G (B/c/d) | D3E G3A | BGdG B2AG | F3E DEFG | AFdF E3F | D3EG3A | B2d2e2(3efg | {c}B2 AG A2 GA | B2G2TG2 :| |: d2 | gfga (3gab ag | fefg (3fga gf | edef gfed | {c}B2e2e2(3efg | B2AG d2Bd | edef (3gab ag | {c}AG A2 GA | B2(G2TG2) :||
X:6 T:Flowers of Edinburgh [1] S:Scots Musical Museum, #13 (1787) Z:Bruce Olson L:1/4 M:C K:F C/|C3/2 D/F3/2G/|(A/F/) (c/F/) {B/}AG/F/|~E3/2D/ C3/4D/4 E3/4F/4|G/E/ c/E/ ~D3/2E/| C3/2D/F3/2G/|~(A3/4G/4A/) c/d (d/4e/4f/)|(B/A/) (G/F/) {A}/G (F/G/)|A~G3/4F/4F||(c/4d/4e/)| (f3/4e/4f/) g/ (f/4g/4a/) ~(g/f/)|~(e3/4d/4e/) f/ (e/4f/4g/) ~(f/e/)| (d3/4c/4d/) e/ (f/e/) (d/c/)|Ad3/4e/4 d(d/4e/4) f/| {c/}A G/F/c(B/A/)|d/c/d/e/ .g3/2 {g/a/} A/|(B/A/) G/ F/ GF/G/|A~G3/4F/4F|]
X:1 T:Flowers of Edinburgh [1] M:2/4 L:1/8 R:Reel S:Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, p. 9) Z:AK/Fiddler’s Companion K:G DE/F/ G>A|B/G/B/d/ c/B/A/G/|FED E/F/|GB/G/ E2| DE/F/ G>A|B/G/B/d/ g/f/g/e/|d/c/B/A/ G/F/G/c/|BGG:| |:d|g/f/g/a/ ba/g/|f/e/f/g/ ag/f/|e/d/e/f/ g/f/e/d/|Be e/f/g/e/| d/B/G/B/ dd|e/d/e/f/ g/f/g/e/|d/c/B/A/ G/F/G/c/|BG G2:|]
X:1 T:Flowers of Edinburgh [1] M:C| L:1/8 R:Country Dance B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 36) Z:AK/Fiddler’s Companion K:G GE|D3E G3A|(BG)dG {c}B2 AG|FGEF DEFG|AfdF E3F| D3E G3A|BGBd efge|dcBA GFGA|B2G2G2:| |:d2|gfga gbag|fefg fagf|edef gfed|B2 d2 efge| (dB)AG d2 cB|(eg)fa g2 fe|dcBA GFGA|B2G2G2:|]
X:7 T:Flowers of Edinburgh [1] L:1/8 M:C| R:Country Dance B:Stewart-Robertson - The Athole Collection (1884) K:G GE|D3E G3A|BGdG cBAG|FGFE DEFG|AFdF E3F| D3E G3A|BGBd efge|dcBA GFGA|B2G G2:| |:d|gfga gbag|fdfg fagf|edef gfed|B2 e>f efge| dBGB B/c/d cB|egfa g2fe|dcBA GFGA|B2G2G2:||
X:1 T:Flowers of Edinburgh [1], The M:C| L:1/8 R:Hornpipe S:Daniel Kelleher S:P.D. Reidy music manuscript collection, London, 1890’s (No. 35) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. N:Reidy's source, Daniel Kelleher, was variously said to have been N:from Castleisland, Sliabh Luachra region, County Kerry, or from N:the native-Irish speaking region of Achadh Bolg, Múscraigh, in N:County Cork. Reg Hall (2017) also found a reference to Kelleher N:as one of the soloists who accompanied step dancing exhibitions N:at Gaelic League events in London between 1897 and 1901. According N:to Hall, Kelleher was a young fiddle player active within the N:Gaelic League. His name is attached to thirteen tunes in Reidy’s N:collection. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:G B>A|GEDE GFGA|BGBd cBAG|FAEF DEFG|AFdB A2 AB| GEDE GFGA|BGBd efge|dcBA GFGA|B2 G2 G2:| |:d2|gdgd gbag|fefd fagf|edef gfed|Bdef gfge| dBGB d2 Bd|edef gfge|dcBA GFGA|B2 G2G2:|]
X:8 T:Flowers of Edinburgh [1] S:from the playing of Dave Swarbrick, S:from "The Ceilidh Album" (?) Z:Nigel Gatherer N:An English morris version? M:2/4 K:G L:1/8 D|GG BG/B/|dB g>e|dB B/A/G/A/|BG ED| GG BG/B/|dB g>e|dB B/A/G/A/|BG G:|] |:d|g2 f>e|Be e>f|g2 f/g/f/e/|Be eg/e/| d/B/G/B/ dd|e/d/e/f/ gg/e/|dB B/A/G/A/|BG G:|]
X:9 T:Flowers of Edinburgggg [1] M:2/4 L:1/8 S:Bruce Molskey R:Old-time Z:M. Reid 27-Jan-199 K:G D2|G3 D|ED B,D|G2 G2|BA Bd|cB AG|FG FE| DE FG|A4|A,4|ED EF|G3 A| BA Bc|d2ef| ga ge|dB GB|A2 Ac|B2 F2 |1 G4-|G2:|2 G4-|G4 || |:g3 a|b2 ag|fe fg|a2A2|e3 f|gf ed| B2 e2|e2 ef|g2 e2|dB GB| Bd- dB|d2 ef| gf ef|ga ge|dB GB|A2Ac|B2 F2|1 G4-|G4:|2 G4-|G2|]