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'''CHOCTAW BILL'''. Old-Time, Breakdown. C Major. Standard tuning (fiddle). AA'BB. The tune was recorded by both Bob Douglas and Blaine Smith. Choctaw Bill, There were a few 'Choctaw Bill's' in the Louisiana/Texas region, including William Robinson (1809–1898) an early Texas pioneer and an ordained Baptist minister who organized or served as pastor to some 20 churches, and William Williams (1776-c. 1830) of Louisiana. Robinson (who is the one probably honored by the title) was nicknamed 'Choctaw Bill' because a band of Choctaw Indians once complained about his long sermons, which could go on for hours. The melody is sourced to Tennessee fiddler Blaine Smith, and seems to be unique to his repertoire. Smith was recorded in the field in 1977 but proved to be a reticent and un-talkative man of whom it was said (not accurately) that he had served time in the Brushy Mountain Maximum Security State Penitentiary for murdering a man who stumbled across his moonshine operation.  
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'''CHOCTAW BILL'''. American, Reel (cut time). C Major. Standard tuning (fiddle). AA'BB. The tune was recorded by both Bob Douglas and Blaine Smith. Choctaw Bill, There were a few 'Choctaw Bill's' in the Louisiana/Texas region, including William Robinson (1809–1898) an early Texas pioneer and an ordained Baptist minister who organized or served as pastor to some 20 churches, and William Williams (1776-c. 1830) of Louisiana. Robinson (who is the one probably honored by the title) was nicknamed 'Choctaw Bill' because a band of Choctaw Indians once complained about his long sermons, which could go on for hours. The melody is sourced to Tennessee fiddler Blaine Smith, and seems to be unique to his repertoire. Smith was recorded in the field in 1977 but proved to be a reticent and un-talkative man of whom it was said (not accurately) that he had served time in the Brushy Mountain Maximum Security State Penitentiary for murdering a man who stumbled across his moonshine operation.
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<p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: - Bob Douglas [Phillips].  
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''Source for notated version'': Bob Douglas [Phillips].  
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<font color=red>''Printed sources''</font> : - Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 50.  
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''Printed source:'' Phillips ('''Traditional American Fiddle Tunes'''), vol. 1, 1994; p. 50.
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<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
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Revision as of 01:45, 29 October 2019

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X:1 T:Choctaw Bill N:From the playing of Bob Douglas & Georgia Boy Brown (Tenn.) M:C| L:1/8 R:Country Rag D:https://www.slippery-hill.com/recording/choctaw-bill-0 Z:Transcribed by Andrew Kuntz K:C [de]-|[e3e3] +slide+[ee]- [ee]dc2|A4G4|c2de- ega2|g6 [d2e2]-| [e3e3] +slide+[ee]- [ee]dc2|A4G4|A2Bc- ccd2|c6:| zD|-E2 EF EDCE|F2FFF2D2|-D2d2 BAGB|cBcd edcA| E2 EF EDCE|F2FFF2D2|-D2d2 BAGB|c2 cc c2cG| EDEF EDCE|F2 FF F2FF|FAdc BAGG|c2cc _edcA| E2 EF EDCE|F2FFF2d2|-d2 d2 BAGB|c2 cc c2||



CHOCTAW BILL. American, Reel (cut time). C Major. Standard tuning (fiddle). AA'BB. The tune was recorded by both Bob Douglas and Blaine Smith. Choctaw Bill, There were a few 'Choctaw Bill's' in the Louisiana/Texas region, including William Robinson (1809–1898) an early Texas pioneer and an ordained Baptist minister who organized or served as pastor to some 20 churches, and William Williams (1776-c. 1830) of Louisiana. Robinson (who is the one probably honored by the title) was nicknamed 'Choctaw Bill' because a band of Choctaw Indians once complained about his long sermons, which could go on for hours. The melody is sourced to Tennessee fiddler Blaine Smith, and seems to be unique to his repertoire. Smith was recorded in the field in 1977 but proved to be a reticent and un-talkative man of whom it was said (not accurately) that he had served time in the Brushy Mountain Maximum Security State Penitentiary for murdering a man who stumbled across his moonshine operation.

Additional notes

Source for notated version: - Bob Douglas [Phillips].

Printed sources : - Phillips (Traditional American Fiddle Tunes, vol. 1), 1994; p. 50.

Recorded sources: -



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