Annotation:Crockett's Honeymoon: Difference between revisions
m (Text replacement - "garamond, serif" to "sans-serif") |
No edit summary |
||
| Line 1: | Line 1: | ||
== | __NOABC__ | ||
<div class="noprint"> | |||
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | |||
</div> | |||
---- | ---- | ||
<p><font face=" | {{#lst:{{PAGENAME}}|abc}} | ||
---- | |||
<div style="page-break-before:always"></div> | |||
<p><font face="Century Gothic" size="3"> | |||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | |||
<br> | |||
'''CROCKETT'S HONEYMOON'''. AKA - "[[George Ainley's Tune]]." AKA and see "[[Honeymoon Reel (1)]]," "[[Maid Who Left the Mountains (The)]]." Old-Time, Breakdown. G Major. Standard tuning (fiddle). AABB (Songer): AA'BB' (Phillips). The name "Crockett's Honeymoon" (or, sometimes, "Crockett's Wedding") appears to have originated in the 1970's, attached (perhaps by George Ainley) to an untitled tune contained in a medley on a 1920's recording by Crockett's Kentucky Mountaineers. The alternate title "[[George Ainley's Tune]]" comes from the recording by the Fat Meat Boys. A similar American tune is "[[Maid Who Left the Mountains (The)]]," which may be the original ancestor to these variants. It has a similar title to the Irish reel called "[[ Maid Who Left the County (1) (The)]]," which itself has a cognate tune entitled "[[Honeymoon Reel (2) (The)]]". "Honeymoon Reel (1)", a close variant of the Irish "[[Honeymoon Reel (2) (The)]]" was printed as long ago as 1883 in the Boston, Massachusetts, publication '''Ryan's Mammoth Collection'''. The "Maid" and "Honeymoon" titles thus appear to weave in and out of each other in both Irish and American tradition. See also the cognate "[[Lady Mary Drummond's Reel]]" from '''Alexander's 50 New Scotch & Irish Reels & Hornpipe''' (c. 1826). | '''CROCKETT'S HONEYMOON'''. AKA - "[[George Ainley's Tune]]." AKA and see "[[Honeymoon Reel (1)]]," "[[Maid Who Left the Mountains (The)]]." Old-Time, Breakdown. G Major. Standard tuning (fiddle). AABB (Songer): AA'BB' (Phillips). The name "Crockett's Honeymoon" (or, sometimes, "Crockett's Wedding") appears to have originated in the 1970's, attached (perhaps by George Ainley) to an untitled tune contained in a medley on a 1920's recording by Crockett's Kentucky Mountaineers. The alternate title "[[George Ainley's Tune]]" comes from the recording by the Fat Meat Boys. A similar American tune is "[[Maid Who Left the Mountains (The)]]," which may be the original ancestor to these variants. It has a similar title to the Irish reel called "[[ Maid Who Left the County (1) (The)]]," which itself has a cognate tune entitled "[[Honeymoon Reel (2) (The)]]". "Honeymoon Reel (1)", a close variant of the Irish "[[Honeymoon Reel (2) (The)]]" was printed as long ago as 1883 in the Boston, Massachusetts, publication '''Ryan's Mammoth Collection'''. The "Maid" and "Honeymoon" titles thus appear to weave in and out of each other in both Irish and American tradition. See also the cognate "[[Lady Mary Drummond's Reel]]" from '''Alexander's 50 New Scotch & Irish Reels & Hornpipe''' (c. 1826). | ||
<br> | <br> | ||
<br> | <br> | ||
</div> | |||
</font></p> | </font></p> | ||
<p><font face=" | <div class="noprint"> | ||
''Source for notated version'': Ruthie Dornfeld (Seattle, Washington) [Phillips]; Ron Andrico (Portland, Oregon) [Songer]. | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
<br> | <p><font face="Century Gothic" size="3"> | ||
<font color=red>''Source for notated version''</font>: - Ruthie Dornfeld (Seattle, Washington) [Phillips]; Ron Andrico (Portland, Oregon) [Songer]. <br> | |||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Printed sources'': Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 62. Songer ('''Portland Collection'''), 1997; p. 56. | <font color=red>''Printed sources''</font> : - Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 62. Songer ('''Portland Collection'''), 1997; p. 56. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="Century Gothic" size="3"> | ||
''Recorded sources'': <font color=teal>Brunswick 291 (78 RPM), Crockett's Kentucky Mountaineers - "Medley of Old Time Dance Tunes." Rounder CD 0397, Scott Nygaard - "Dreamer's Waltz" (1996). Varrick VR-038, Yankee Ingenuity - "Heatin' Up the Hall" (1989).</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Brunswick 291 (78 RPM), Crockett's Kentucky Mountaineers - "Medley of Old Time Dance Tunes." Rounder CD 0397, Scott Nygaard - "Dreamer's Waltz" (1996). Varrick VR-038, Yankee Ingenuity - "Heatin' Up the Hall" (1989). | ||
</font> | |||
</font></p> | </font></p> | ||
<br> | <br> | ||
---- | ---- | ||
== | <p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p> | ||
</div> | |||
__NOEDITSECTION__ | |||
__NOTITLE__ | |||
Revision as of 04:31, 13 November 2019
X:1 T:Crockett's Honeymoon N:From the playing of fiddlers John Crockett Sr. and son N:George playing with Crockett Family Mountaineers. N:The tune was the middle of a medley, with "Old Molly Hare," N: "Wild Horse," "Soldier's Joy" and "Arkansas Traveler'," recorded N:in Los Angeles, Nov. 1928, as "Medley of Old-Time Dance Tunes Part I." M:C| L:1/8 R:Reel D:Brunswick 291 (78 RPM). Crockett Family Mountaineers (1928) D:Yazoo 2200, Crockett's Kentucky Mountaineers - Kentucky D:Mountain Music, vol. 3 (2003) D:https://www.slippery-hill.com/recording/crocketts-honeymoon Z:Transcribed by Andrew Kuntz K:G dc|BA G2GDGA|Bdef gedc|BA G2 GDGA|BcdB A2dc| BAGD GDGA|Bdef g3a|bbaa gded|1BcdB A2:|2BcdB G4|| |:[de]-[e2e2]f [e2e2]de-|edef gedB|G2[G2B2] BGBG|BGeg e2e2| [de]-[e2e2]f [e2e2]d2|edef g2ga|bbaa gded|BGAF G4:|]
CROCKETT'S HONEYMOON. AKA - "George Ainley's Tune." AKA and see "Honeymoon Reel (1)," "Maid Who Left the Mountains (The)." Old-Time, Breakdown. G Major. Standard tuning (fiddle). AABB (Songer): AA'BB' (Phillips). The name "Crockett's Honeymoon" (or, sometimes, "Crockett's Wedding") appears to have originated in the 1970's, attached (perhaps by George Ainley) to an untitled tune contained in a medley on a 1920's recording by Crockett's Kentucky Mountaineers. The alternate title "George Ainley's Tune" comes from the recording by the Fat Meat Boys. A similar American tune is "Maid Who Left the Mountains (The)," which may be the original ancestor to these variants. It has a similar title to the Irish reel called "Maid Who Left the County (1) (The)," which itself has a cognate tune entitled "Honeymoon Reel (2) (The)". "Honeymoon Reel (1)", a close variant of the Irish "Honeymoon Reel (2) (The)" was printed as long ago as 1883 in the Boston, Massachusetts, publication Ryan's Mammoth Collection. The "Maid" and "Honeymoon" titles thus appear to weave in and out of each other in both Irish and American tradition. See also the cognate "Lady Mary Drummond's Reel" from Alexander's 50 New Scotch & Irish Reels & Hornpipe (c. 1826).