Annotation:Past One O'Clock: Difference between revisions
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'''PAST ONE O'CLOCK.''' AKA and see “[[Cha mi ma chattle]],” "[[Cold Frosty Morning (2)]]," “[[Táim i mo Chodladh]],” "[[I Am Asleep and Don't Waken Me (2)]]," "[[Thamma Hulla]]." Irish, Air (3/4 time). A Major (): G Major (Moffat, Thumoth, Wright). Standard tuning (fiddle). AABB (Moffat, Wright), AABBCCDD. O’Farrell marks the tune “slow” and says the tune is Irish. The air appears in '''Musick for Allan Ramsay’s Collection of Scots Songs, Book III''' (c. 1725) as “[[Cha mi ma chattle]].” It was printed in Coffey’s Dublin-staged ballad opera '''The Beggar’s Wedding''' (1729, Act ii, Air x), and in the ballad-opera '''Flora''' (1732) as “Past one o’clock, on a cold and frosty morning,” and in Burk Thumoth’s 1742 collection (pp. 30-31) as “Past One O’Clock.” Sometimes the song burden is in Irish. See notes for "[[I Am Asleep and Don't Waken Me (2)]]" and "[[Cold Frosty Morning (2)]]" for more. | '''PAST ONE O'CLOCK.''' AKA and see “[[Cha mi ma chattle]],” "[[Cold Frosty Morning (2)]]," “[[Táim i mo Chodladh]],” "[[I Am Asleep and Don't Waken Me (2)]]," "[[Thamma Hulla]]." Irish, Air (3/4 time). A Major (): G Major (Moffat, Thumoth, Wright). Standard tuning (fiddle). AABB (Moffat, Wright), AABBCCDD. O’Farrell marks the tune “slow” and says the tune is Irish. The air appears in '''Musick for Allan Ramsay’s Collection of Scots Songs, Book III''' (c. 1725) as “[[Cha mi ma chattle]].” It was printed in Coffey’s Dublin-staged ballad opera '''The Beggar’s Wedding''' (1729, Act ii, Air x), and in the ballad-opera '''Flora''' (1732) as “Past one o’clock, on a cold and frosty morning,” and in Burk Thumoth’s 1742 collection (pp. 30-31) as “Past One O’Clock.” Sometimes the song burden is in Irish. See notes for "[[I Am Asleep and Don't Waken Me (2)]]" and "[[Cold Frosty Morning (2)]]" for more. | ||
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''Source for notated version'': | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
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''Printed sources'': O’Farrell ('''Pocket Companion, vol. 1'''), c. 1805; pp. 68-69. Moffat ('''Minstrelsy in Ireland'''), 1897; Appendix, p. 341. Thumoth ('''Twelve Scotch and Twelve Irish Airs with Variations Set for the German Flute Violin or Harpsichord'''), London, 1748; No. 15, pp. 30-31. '''Wright's Compleat Collection of Celebrated Country Dances''', 1740; p. 48. | <font color=red>''Printed sources''</font> : - O’Farrell ('''Pocket Companion, vol. 1'''), c. 1805; pp. 68-69. Moffat ('''Minstrelsy in Ireland'''), 1897; Appendix, p. 341. Thumoth ('''Twelve Scotch and Twelve Irish Airs with Variations Set for the German Flute Violin or Harpsichord'''), London, 1748; No. 15, pp. 30-31. '''Wright's Compleat Collection of Celebrated Country Dances''', 1740; p. 48. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Revision as of 03:56, 19 November 2019
X:1 T:Chami ma chattle M:3/4 L:1/8 B:Alexander Stuart – “Musick for Allan Ramsay’s Collection of Scots B:Songs, part 3” (Edinburgh, c. 1724, pp. 62-63) F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3002 Z:AK/Fiddler’s Companion K:Gmix V:1 D2|E2G2G2|G3A G2|A3 BAG|E4 D2|E2G2G2|Bc d2G2|A3 GAB|G4 GB| c2 dcBA|B2 cBAG|A3 BAG|E4 D2|E2G2G2| (Bc d2)G2| A3 GAB|G4|| f4 fg|e4 d2|d2e2 ga|g2e2d2|f3 gfg|e2d2g2|d3 BAB|G2E2D2| (fe)(fg)(fg)|e2d2g2|(de)(Bd)(AB)|G2E2D2|E2G2G2|Bc d2G2|A3 GAB|G4|| V:2 clef = bass z2|G,4B,,2|G,,4 B,,2|^F,2D,2G,2|A,2A,,2D,2|G,4B,,2|G,,4B,,2|D,4D,,2|G,,4 z2| A,2^F,2 D,2|G,2E,2C,2|F,2D,2G,2|A,2A,,2D,2|G,4 B,,2|G,,4 B,,2|D,4D,,2|G,,4|| F,4A,2|C2C,2G,2|B,2C2B,2|G,2C2B,2|A,4F,2|C,2G,2G,,2|B,,2G,,2D,2|G,4G,,2| A,2F,2A,2|C2B,2G,2|B,2G,2E,2|B,,2C,2D,2|G,4B,2|G,4G,,2|D,4D,,2|G,,4||
PAST ONE O'CLOCK. AKA and see “Cha mi ma chattle,” "Cold Frosty Morning (2)," “Táim i mo Chodladh,” "I Am Asleep and Don't Waken Me (2)," "Thamma Hulla." Irish, Air (3/4 time). A Major (): G Major (Moffat, Thumoth, Wright). Standard tuning (fiddle). AABB (Moffat, Wright), AABBCCDD. O’Farrell marks the tune “slow” and says the tune is Irish. The air appears in Musick for Allan Ramsay’s Collection of Scots Songs, Book III (c. 1725) as “Cha mi ma chattle.” It was printed in Coffey’s Dublin-staged ballad opera The Beggar’s Wedding (1729, Act ii, Air x), and in the ballad-opera Flora (1732) as “Past one o’clock, on a cold and frosty morning,” and in Burk Thumoth’s 1742 collection (pp. 30-31) as “Past One O’Clock.” Sometimes the song burden is in Irish. See notes for "I Am Asleep and Don't Waken Me (2)" and "Cold Frosty Morning (2)" for more.